Music

Daniel Barenboim, then primarily a pianist, last visited Sydney in 1970. He and his wife, Jacqueline du Pré, performed the complete piano and cello sonatas of Ludwig van Beethoven at the Sydney Town Hall. They also visited the site of the Sydney Opera house, which opened three years later ...

Now in its twenty-ninth year, the Wangaratta Festival of Jazz and Blues continues to deliver programming that is innovative, ambitious, and far-reaching. That a long-running Festival of this scale and significance takes place annually in a regional Victorian city says much about the tenacity and dedication of the Festival’s artistic team ...

The Sydney Symphony Orchestra’s late-October subscription concerts offered an interesting juxtaposition by pairing the final symphonies of Joseph Haydn and Ludwig van Beethoven. These masterworks illustrate the enormous changes that revolutionised symphonic writing within a few decades from the last decades of the eighteenth century.

Sydney Symphony Orchestra is renowned for its meaningful programs, where the individual items are connected through some historical, musical, or even technical thread. Whether most members of the audience notice that the program focuses on great Romantic masterpieces ...

I don’t watch the World Cup or even Wimbledon, so I may have some Australian gene missing. But by the time the string quartet winners were announced at the end of the Melbourne International Chamber Music Competition last week, I had become a fan, almost a barracker. I was rooting for the ...

‘People who don’t like tunes don’t like Berlioz.’ Thus, the late Colin Davis, famed English conductor and Berlioz exponent, said in 2007 about L’Enfance du Christ. Davis, in his wry, gently combative English way, and with a burnished reputation behind him, didn’t have to care about musical fashion or despised tunes: ...

This week’s subscription concerts of the Sydney Symphony Orchestra began with the Symphony No.1 in G minor by Russian composer Vasily Sergeyevich Kalinnikov; a decision by no means lacking reason or merit, yet certainly courageous. One could argue that seven decades after its last performance by the SSO in 1946 its time ...

One of the key issues addressed by the twenty-first Melbourne International Jazz Festival (MIJF) is the role of women in jazz. In the wake of the #MeToo movement, there has been much debate around gender equality in jazz, including inevitable references to jazz as a ‘boys’ club’. While there has never been a shortage ...