Fox Searchlight Pictures
Terrence Malick’s mid-career output has been as divisive as his early films were revered. After The Tree of Life won the Palme d’Or in 2011, To the Wonder (2012), Knight of Cups (2015), and Song to Song (2017) arrived in uncharacteristically quick succession, testing audiences’ willingness to indulge Malick’s stubborn stylistic sensibilities. His knack for laying bare characters’ inner lives simply didn’t have the same impact when applied to a smattering of good-looking celebrities milling about South by Southwest festival, or Ben Affleck’s middle-aged ennui.
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