Laura Hartnell
If alien life landed on Earth and we had to explain to them the habits of the white middleclass, it would be understandable if they thought we were insane. CrossFit looks like creative torture, leadership webinars are bizarre rituals in self-congratulation, and engagement parties lead to nothing but familial misery. Framed by the unrequited love story of a woman who can’t (or won’t) fit into polite society, Nick Coyle’s black comedy The Feather in the Web skewers the bourgeois obsession with career, status, and wellness.
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It is scary to contemplate a world without oil. Whether we acknowledge it or not, oil is at the heart of our everyday lives. The Western world has depended on it for over a century. It has given us heat, light, comfort, and control. But our modernity is built on a finite resource, and we are hurtling towards a time when we will be no more oil left to tap. What will happen then?
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Billy Pilgrim has come unstuck in time, and while time travel has its drawbacks for the protagonist of Slaughterhouse Five, it may be preferable to being stuck in this interminable adaptation of Kurt Vonnegut’s famous 1969 novel. Monash University Student Theatre’s (MUST) adaptation of Kurt Vonnegut’s Slaughterhouse-Five was ...
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Australian classics have been surging onto our stages of late: Matthew Lutton and Tom Wright’s lauded adaptation of Picnic at Hanging Rock recently enjoyed success in London as well as Australia; Andrew Bovell’s stage version of The Secret River toured the country to critical acclaim ...
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