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Mahler

Mahler’s Song of the Earth 

Australian Chamber Orchestra
by
13 May 2024
Despite what it packs into barely an hour, Gustav Mahler’s Das Lied von der Erde (hereafter, Erde) is insufficiently long to fill a subscription concert. Hence, the Australian Chamber Orchestra’s brief first half, which featured two suitably complementary works. ... (read more)

Jaime conducts Mahler 3 

Melbourne Symphony Orchestra
by
15 March 2024

Famously, Gustav Mahler once told Jean Sibelius that ‘[a] symphony must be like the world – it must contain everything.’ Running for more than ninety minutes, indeed often cited as the longest symphonic work in the standard orchestral repertoire, his third essay in this genre (first performed in its entirety in 1902, conducted by Mahler) arguably gets closest to realising such an ambition. The composer suggested, furthermore, that the work was inspired by the contemplation of a soul’s journey from the natural world to the spiritual, no less.

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Mahler’s Ninth Symphony 

Australian World Orchestra
by
24 November 2023

Along with Beethoven, Schubert, and Bruckner, Gustav Mahler wrote nine symphonies. For each composer there was an incomplete, or unrecognised, tenth symphonic essay, which diligent musicologists have attempted to flesh out into meaningful ‘continuity scores’ or reconstructions. Mahler was barely fifty when he completed his Ninth Symphony and dared to tempt the fates with a Tenth; the growing seriousness of a heart complaint, however, meant that death, already a frequent visitor to earlier works, was never far from his mind. He died in 1911, not having heard in performance any of his Ninth (1909–10), his incomplete Tenth (1910–11), or his Das Lied von der Erde (Song of the Earth, 1908–9) – some four hours of his most moving music, much of which remained under-exposed for four decades until the ‘Mahler renaissance’ started in the 1950s.

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Mahler’s Seventh 

London Symphony Orchestra
by
08 May 2023
Throughout his long, prolific, and fulfilling musical life, Simon Rattle has never misused time; rather, he has relished it, always with the same energetic sense of purpose and clarity of execution that has made him such an extraordinary musician. ... (read more)