Oppenheimer

Writer–director Christopher Nolan is locked in an ongoing, well-documented wrestling match with linear time. With each new film, he attempts to find some unique way of slicing, dicing, and interrogating it. Memento (2000) gave us a crime thriller told entirely out of order; Inception (2010) used an ingenious nesting-doll conceit for its thrilling dream heists; Interstellar (2014) dabbled in relativity; Dunkirk (2017) juggled three parallel timelines.