Tasmanian Symphony Orchestra

Three years ago, almost to the day, the great Swedish soprano Nina Stemme made her Australian début – in Hobart, a little unexpectedly. Joining her was Stuart Skelton, with whom she had just performed in Mariusz Treliński’s production of Tristan und Isolde at the Metropolitan Opera – a sombre, martial, digital creation that divided critics and audiences alike (‘overdetermined darkness and cynicism’ was one complaint) but which this reviewer found coherent and ungimmicky.