Ruth Starke
Dr Ruth Starke (1946-2022) was a writer, critic and creative writing teacher. She held Academic Status at Flinders University where she was the Editor, Creative Writing, for Transnational Literature. She was a regular and longtime book reviewer for Australian Book Review, Viewpoint, and Radio Adelaide, and a past Chair of the SA Writers Centre. She published more than twenty-five books for young readers.
My postgraduate student frowned. ‘The Gathering? Isn’t that the one where someone sets a dog on fire?’ Spoiler alert: indeed it is. It is the book’s most memorable scene; it is certainly the most horrific. My postgrad had read Isobelle Carmody’s 1993 novel in high school and that was the first memory of it which surfaced. The scene shocked readers and alienated many: ‘I re-read the nov ... (read more)
‘When I think about picture books,’ writes Mark Rafidi in the first line of his foreword, ‘the words of the young girl in David Legge’s Bamboozled strikes [sic] me immediately.’ What strikes me immediately is that Standing on the Shoulders of Giants is a book that hasn’t been properly edited. By the time I reached the final page I wondered if the book had been edited at all.
Rafidi ha ... (read more)
It is sobering to think that the thousands of teenagers who in 1987 eagerly devoured John Marsden’s first novel, So Much To Tell You, and sent it and the author spinning into bestsellerdom are now in their forties – and as such, the target readership for his first adult novel, South of Darkness, a transportation saga that covers some familiar ground with a light tread.
... (read more)
Anybody who knows a little about the role played by Australian horses in World War I will know that the story did not end well for the horses: 136,000 left these shores, and one returned. Readers of Morris Gleitzman’s Loyal Creatures (Viking, $19.99 pb, 160 pp) who are unaware of this statistic might be in for a shock.
At the outbreak of war, Frank Ballantyne, not quite sixteen, is working with ... (read more)
On the back of John Marsden’s new novel there is this warning: ‘This book is not a fantasy. It contains no superheroes, wizards, dragons, time-travel, aliens or magic.’ If it had also said, ‘and it is not part of a series’, I would have cheered even louder. At least I hope The Year My Life Broke (Pan Macmillan, $12.99 pb, 171 pp, 9781742613352) is a stand-alone and won’t rapidly be fol ... (read more)
You think you know what Jackie French’s Refuge (Angus & Robertson, $15.99 pb, 261 pp, 9780732296179) is going to be about, with its front cover photograph of a young boy, his dark eyes full of apprehension and sorrow. You still think you know when the refugee boat carrying the boy, Faris, and his grandmother, Jedda, to Australia is swamped by a huge wave and sinks. So you are almost as puzzl ... (read more)
Oh please, not another novel that draws from Pride and Prejudice! That was my first thought when I read the media release that came with Cat & Fiddle. Last year I had been underwhelmed by both P.D. James’s Death Comes to Pemberley and Jennifer Paynter’s Mary Bennet, a novel about ‘the forgotten sister’, and I was now fervently wishing that all the sisters could be forgotten, at least b ... (read more)
It is a hot gusty day in the summer of 1958, the sort of day that melts the tar on the road and brings the red dust down from the north. In the inner-city Adelaide suburb of Norwood, Mario Feleppa, twenty-eight and not long arrived in Australia, is fed up. Not with the heat – he is used to heat back in Italy – but with horses. Specifically, the horses that are stabled – surely illegally – ... (read more)
Cecily Lockwood’s heart ‘bounced like a trout’. An arresting simile on the first page of a novel is always a good sign, but will this piscatorial comparison mean anything to young readers? No matter, back to those footsteps climbing the dark stairs to twelve-year-old Cecily’s room, where she is quailing under the bed. She pictures her older brother Jeremy in the next room, his heart ‘fli ... (read more)