Christopher Menz
Christopher Menz is a former Director of the Art Gallery of South Australia. He has published on the design work of William Morris and Edward Burne-Jones, and is a regular contributor to ABR.
My Umbrian Kitchen – part memoir, part recipe book – reflects the Umbrian-Australian life of its author, Italian-born Patrizia Simone, who, with her husband, opened her first restaurant in Bright in north-eastern Victoria twenty-six years ago. This publication draws on her wealth of experience in the kitchen, decades of cooking, and the rich culinary heritage of her native Umbria. We follow Si ... (read more)
The Cookbook Library is an eminently readable and informative survey of the development of European (and North American) culinary literature from antiquity until the early nineteenth century, from Greek and Roman texts to Antonin Carême. The project, inspired by Anne Willan and Mark Cherniavsky’s extensive personal cookbook library, draws on Willan’s considerable professional cookery expertis ... (read more)
The contemporary jewellery movement grew from a desire among postwar practitioners to explore both the expressive qualities in jewellery and the use of non-traditional materials. The move away from traditional gold and diamonds was partly economic – consider today’s price of gold – and partly ideological. Jewellery should be appreciated for what it is, on its own terms, not for its carats.
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Christopher Menz
Anyone who has dined at Annie Smithers’ eponymous restaurant in the picturesque town of Kyneton, eighty-five kilometres north-west of Melbourne, or read her food columns in TheAge, will understand her commitment to growing, sourcing, cooking, and presenting the best available local produce. She achieves this with a simplicity that belies the care and hard work needed to ... (read more)
The initial idea was for a new front door at the National Gallery of Australia. At least that is how Ron Radford, director of the Gallery, presented it to the one thousand or so guests in his remarks at the official opening of Andrew Andersons’ and PTW Architects’ Stage One ‘New Look’ at the NGA on Thursday, 30 September. Clearly, for the money involved and time taken it is much more than ... (read more)
For an Australian collector to have amassed one substantial and internationally recognised collection of Victorian art during the late twentieth century is unusual. Having parted with the first and replaced it with a second, amassed in the twenty-first, is extraordinary. But then John Schaeffer – whose second collection was the subject of a catalogue and recent exhibition at the Art Gallery of N ... (read more)
A thirty-year correspondence between two Australian artists is notable, but when the artists are father and daughter it is doubly interesting. Hans Heysen and Nora Heysen corresponded regularly throughout their lives: Hans writing from The Cedars, the family house near Hahndorf, in the Adelaide Hills; and Nora from Sydney, London, New Guinea, Pacific Islands, or wherever she happened to be. Hans H ... (read more)
Teresa Oates and Angela Villella: Mangia! Mangia!; and Nouha Taouk: Whispers from a Lebanese Kitchen
Tutti a tavola
Christopher Menz
Cookery books by immigrants or their descendants on the food of their homelands form a rich sub-genre of migration literature. Several books have been published in recent decades that celebrate the food of Greek, French, Chinese, and German immigrants. Clearly, old food habits die hard. Even when other aspects of an immigrant’s culture have long been aba ... (read more)
Who says printed books are dead and that the e-book is the future? Ars Sacra, weighing in at eleven kilos, with eight hundred pages and two thousand colour images, sets a new standard for the coffee-table book. While an iPad version would be lighter and not require a reinforced table, justice can only be done to this large-format book in printed form. Spanning late antiquity to the present, Ars Sa ... (read more)