Accessibility Tools

  • Content scaling 100%
  • Font size 100%
  • Line height 100%
  • Letter spacing 100%

Theatre

It was a job worthy of William himself: not only the ambitious scale of the project, but the speed with which it was completed. In just seven years, between 1958 and 1964, Argo Records, with the Marlowe Dramatic Society, released the complete works of Shakespeare in forty box-set LPs ...

... (read more)

The opening scene of the The Testament of Mary sets the tone of this excellent production and dramatises brilliantly Colm Tóibín’s radical reassessment of Mary as the Mother of God. Elizabeth Gadsby’s dark marble set, bordered by a red velvet rope, holds one empty chair, one ...

... (read more)

It was in early 1974, while Harold Pinter was in America and working on a screen adaption of F. Scott Fitzgerald’s The Last Tycoon, that the originating image of No Man’s Land occurred to him

... (read more)

When is it useful for an Australian production of Chekhov to use Russian accents? What does it do to the music of Chekhov, the rhythm and flow of his brisk conversations and long grandiose speeches? And what is the symbolism of such a decision? ...

... (read more)

There has been considerable media hype about Rose Byrne’s return to the Sydney stage in the STC’s new production of David Mamet’s Speed-the-Plow. When she does finally appear, as Karen, the somewhat gormless temporary secretary to the newly promoted movie executive Bobby Gould ...

... (read more)

Web articles proliferate that aim to show the disparity between Donald Trump’s religious sentiments (‘I think the Bible is certainly, it is the book’) and his decidedly unholy behavior (including, but not limited to, numerous allegations of sexual harassment and assault). It is from within this space ...

... (read more)

Brian Friel’s play Faith Healer is now considered to be, if not his masterpiece Translations (1980) probably takes that distinction at least one of his most successful works, but it took a while before its sneakily subverted approach to truth and illusion was appreciated. Its 1979 Broadway première ...

... (read more)

Well, it wasn’t the usual demure Melbourne Festival crowd that piled into the Merlyn Theatre for the opening of Life and Opinions of Two Dogs: the local expat Chinese community was out in force, and the place was buzzing. Two Dogs follows the adventures of a couple of country mutts ...

... (read more)

As the director of The Caucasian Chalk Circle, Dr. Wang Xiaoying states, this Black Swan/National Theatre of China production collaboration is 'an ancient Chinese story, written by a classic German playwright, performed by an Australian troupe', and is a 'collision and fusion of different cultures' ...

... (read more)

Everyone agrees that the end of George Eliot's The Mill on the Floss is a disappointment. Suddenly and without much ceremony Eliot has Maggie Tulliver and her brother Tom drowned in a flood. It's a finale that has baffled and frustrated readers for more than a century and half. Can anything ...

... (read more)