Theatre
Louis Nowra’s latest play, his first in ten years because apparently and appallingly no major company in Australia has asked him for one, is the third in his semi-autobiographical Lewis trilogy. In Summer of the Aliens (1992), the young Lewis, growing up in housing-commission ...
... (read more)
Clive, a splendid chappie, has taken up the white man’s burden in darkest Africa and is attempting to bring some British order to the lesser breeds without the law, even though the ungrateful blighters are getting a bit restless. He’s accompanied by that jolly good stick of a wife of his ...
... (read more)
Merrily We Roll Along (1981) isn’t Stephen Sondheim’s biggest flop. That honour goes to Anyone Can Whistle (1964), which closed after nine performances. Merrily outlasted it by seven performances, and of the two shows has since gone on to much greater critical acclaim ...
... (read more)
If you’ve done your homework and you think the answer to the ‘ultimate question of life, the universe, and everything’ is 42, you’d be wrong. You’ve read the wrong book. The actual meaning of life is not to be found in Douglas Adams’s The Hitchhiker’s Guide to the Galaxy but ...
... (read more)
This is Macbeth reimagined as a supernatural-themed action movie for the stage, a high-speed entertainment with explosions and gunplay and plenty of special effects. Macbeth and his fellow Scots scamper about in fatigues, flak jackets, and modern full-dress uniforms, accompanied ...
... (read more)
It is a truism that great novelists rarely make great playwrights; Henry James tried to conquer the boards to disastrous effect with Guy Domville (1895), and writers from Virginia Woolf to James Joyce have failed to translate their genius for interiority to the stage. Charles Dickens, whose ...
... (read more)
With unrelenting cheerfulness, bright orange lights shine on a simple set: a row of straight-backed chairs, a tall flower display, and a painting of an elderly woman, prominently displayed. Are we about to witness a funeral? Indeed we are. Slowly, painfully, the ambulant residents ...
... (read more)
In recent years George Orwell’s Nineteen Eighty-Four (first published in 1949) has twice been returned to bestseller lists around the world – in the wake of the United States National Security Agency’s global surveillance scandal, and following Donald Trump Counselor Kellyanne ...
... (read more)
German playwright Frank Wedekind (1864–1918) was one of those rare artists whose work lies at the nexus of several major movements – in his case expressionism, modernism, and epic theatre – while never quite conforming to strict definitions of what those movements have come to mean ...
... (read more)
Ah, Will Eno. The poet of the people, chronicler of twenty-first century angst, humorist, satirist, famously labelled ‘a Samuel Beckett for the Jon Stewart generation’, is back in dazzling form. The Realistic Joneses showcases Eno to the power of ten as he holds up a mirror to ...
... (read more)
