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Fiction

The language of wallpaper is entrancing: a velvet flock, a Réveillon arabesque, a Dufour panoramic. After ten years’ research and writing, Lyn Hughes’s fourth novel, Flock, is rich with the texture and imagery of wallpaper.

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Those Who Come After by Elisabeth Holdsworth

by
April 2011, no. 330

Wirklich, ich lebe in finsteren Zeiten. 
(Truly, I live in dark times.)

When her mother uttered that line from Bertolt Brecht’s great poem ‘An die Nachgeborenen’, Juliana – the narrator of Elisabeth Holdsworth’s first novel – knew they were in for a hard time. Janna had returned to the Netherlands from Da ...

They had been at school together, Julian Treslove and Samuel Finkler. ‘More rivals than friends, but rivalry too can last a lifetime.’

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Within little more than a decade, between the 1850s and the 1860s, seven centuries of Japanese feudalism and more than two hundred years of seclusion came to an end ...

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In 1996, with two well-received but not widely read novels to his credit, Jonathan Franzen published a long essay in Harper’s magazine in which he aired his concerns about the novel’s waning cultural authority...

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Maris Morton’s novel is the winner of the Scribe CAL Fiction Prize for 2010...

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Herz Bergner arrived in Melbourne in 1938, having left Warsaw after Hitler’s rise to power. Already a published Yiddish short story writer, he joined a group of progressive Yiddish-speaking writers and thinkers who often gathered at the Kadimah Library in Carlton. As information about the Holocaust began to reach these shores, Bergner argued passionately for an increase in European immigration to Australia. He also began work on a novel in Yiddish about a boatload of Jewish refugees (and some others) adrift on the high seas, supposedly destined for Australia.

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Jessica Rudd’s fiction début, Campaign Ruby, is witty and warm-hearted chick lit set against a convincingly painted and disconcertingly prescient political backdrop.

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Making News is Tony Wilson’s second novel for adults. It is a romp over the fertile ground of tabloid media, celebrity sports stars and family crisis. Lucas Dekker is the bookish teenage son of Charlie Dekker, a high-profile Australian soccer star who has just retired from the English Premier League. Lucas’s mother, Monica, has graduated from footballer’s wife to bestselling self-help writer, comfortably eclipsing her husband’s earning power in the process. When Lucas wins a young writer’s prize to become a columnist for tabloid daily The Globe, it seems as though he might follow in his mother’s literary footsteps.

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The Spare Room marks Helen Garner’s return to fiction after a long interval. Since Cosmo Cosmolino (1992), she has concentrated on non-fiction and journalism: newspaper columns and feature articles. She has speculated in public about her distance from fiction... ... (read more)