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Maria Takolander
Maria Takolander is a Finnish-Australian writer, reviewer, interviewer, and independent scholar. She is the author of four books of poetry, the most recent of which, Trigger Warning (UQP 2021), won a Victorian Premier’s Literary Award. Maria was also the inaugural winner of the Australian Book Review Elizabeth Jolley Short Story Competition and is the author of The Double (and Other Stories) (Text, 2013), which was shortlisted for a Melbourne Prize for Literature. Her website is mariatakolander.com. (photo credit: David McCooey)
John Kinsella may well be Australia’s most prolific author – of poetry, fiction, short fiction, non-fiction. His extensive body of work is renowned for its obsessive concern, its fixation even, with a single place: the Western Australian wheatbelt, where Kinsella has spent most of his life. While psychoanalysis has fallen out of favour, Kinsella’s regionalism has the character of a rep ... (read more)
These first novels by Joel Deane, the Victorian premier’s speechwriter, and Merle Thornton, a former academic who famously chained herself to a male-only bar in Brisbane, focus on radically different social groups. Deane’s Another is about two unemployed adolescents living in an outer Melbourne suburb bypassed by a freeway where the local McDonalds is the town’s nucleus. In After Moonlight, ... (read more)
I’ve had disturbing encounters with literature and film before: Reinaldo Arenas’s The Color of Summer (2000) and Stanley Kubrick’s A Clockwork Orange (1971). Their unsettling nature lies in the ways in which they link sex and violence, and show their hooks in the political body and the (masculine) soul. Against oppressive régimes (whether socialist or capitalist), these texts engage in ambi ... (read more)
As an academic teaching in literary studies, I regularly feel compelled to justify my job, particularly in the light of dwindling enrolments. Literary journals and the writers who feature in them, judging by the latest issue of Westerly, also feel pressure to defend their relevance, primarily due to their small audiences. Delys Bird and Dennis Haskell, in an editorial commemorating fifty years of ... (read more)
John Mateer’s Elsewhere is a collection of poems from elsewhere – other small-press publications – and about elsewhere. The book is divided into three parts: ‘Azania’, which documents Mateer’s return to his homeland, South Africa; ‘Medan and Zipangu’, which contains poems inspired by travels in Asia; and ‘Americas’, which takes the United States and Mexico as its subjects. In ... (read more)
(for David)
je ne sais quoibut it is written in the sound of this melangeof consonants and vowels that a blindold impressionist defeats Duchamp
what a faux pas for freud
minä rakastan sinuayou see I do agree with igloosbut I can’t recall the language now I’m afraidI’ve lost my Nordic goddess
but we share this music you and I
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John Leonard Press produces beautiful books of poetry. Proof of the editor’s precise standards, L.K. Holt’s Man Wolf Man features a fine, bullet-sized insignia of a wolf man’s head after the title page. But as Leonard has shown in publishing three (out of four) first books by young Australian women poets, he is not bound to tradition. Holt’s book, with its combination of formal style and f ... (read more)
The new Meanjin, edited by Sophie Cunningham, is exciting to behold. With its varied font, though, it runs the risk of being like Federation Square: striking to look at but difficult to negotiate. The small, faint font made this issue taxing to read. Perhaps younger readers, targeted by some of the content (such as the serialisation of a graphic history), will have less difficulty.
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In an excellent essay on the poetics of art criticism in this issue, Robert Nelson writes of the nature of rapturous poetic perception: ‘Suddenly the world is larger, more meaningful … one reality gives onto another and the world is seen as an extension of the ways that you might imagine it.’ HEAT consistently provides its readers with opportunities for such aesthetic insights.
... (read more)