History

In a major piece of historical revisionism, Dr John Hirst has scrutinised the so-called evils of convict society in New South Wales between 1788 and 1840. Together with a mythology that has stemmed from it. He sees the image of Botany Bay as a place of depravity, where ‘vice is virtue, virtue vice’, as having been created by the opponents of transportation, the late eighteenth-century prison reformers such as John Howard and Jeremy Bentham; he traces their influence through Evangelicals, like Wilberforce, to the liberal Russell and the radical Molesworth who, in the 1830s, saw Australian settlers wallowing with their assignees in a sensual sty. Since the penal colonies would never cleanse themselves, it behoved indignant parliamentarians at Westminster so to do.

‘Such is life’ is a common phrase in Australian popular culture – it has even been tattooed on bodies – but Joseph Furphy’s novel of the same name, published in 1903, is often forgotten. Ned Kelly mythology suggests that he uttered this phrase just before being hanged in 1880, though some historians argue that what he actually said was, ‘Ah well, I suppose’. Long before Furphy (1843–1912) wrote his magnum opus, the stoic phrase was perhaps wrongly associated with a cult hero’s execution.

The bias in settlement and exploitation of nineteenth-century Australia was essentially English. These Antipodes were classed as a wide white land, for the Anglo-Saxon. A Scot or a Welshman could have a place. They were Celts, and classed as ‘British’, close to the centre of England’s Empire, the greatest ever seen.

What major figure in Australian history, apart from Ned Kelly, has had more biographies than Archbishop Daniel Mannix? Librarians can give a decisive answer to this far from rhetorical question. Certainly, Mannix looms large in serious Australian historiography. There are personal studies by Captain Bryan (1919), E.J. Brady (1934), Frank Murphy (1948 and 1972), Niall Brennan (1964), and Walter Ebsworth (1977), and B.A. Santamaria’s short, weighty lecture of 1977. As well, the Mannix shelf is crammed with books like Michael McKernan’s Australian Churches at War, Gerard Henderson’s Mr. Santamaria and the Bishops, Patrick O’Farrell’s The Catholic Church and Community in Australia, and B.A. Santamaria’s Against the Tide – in all of which Mannix is a dominating force. There is no lack of information about the archbishop.

‘This internment of ours is but a sideshow of the war’, says a former Dunera internee in this book. Yet this footnote to Britain’s war on the home front has acquired considerable importance for Australia.

It takes genuine courage to attempt a synoptic history of India and considerable skill to abridge the story of more than five thousand years into a book of fewer than three hundred pages. For a start, the evidence we have for what occurred during the first forty centuries is scarce and uneven. Archaeologists have unearthed planned towns, figurines, seals, pots, and tools that attest to the existence of a sprawling and successful society flourishing in the Indus Valley from around 3300 BCE until 1300 BCE. But as John Zubrzycki explains in this clever book, we know little if anything about how this Harappan civilisation was ruled or organised, partly because its script has not been deciphered and partly because no buildings akin to palaces or temples have yet been found.

‘Country’ – the land of Indigenous peoples (minus their Dreamings) – is the great subject of settler-colonial art, an act of appropriation in which the dispossession of its original custodians is rendered invisible. As Jarrod Hore establishes beyond doubt in Visions of Nature, it was landscape photographers who proved to be one of the more significant cultural agents of settler colonialism across the Pacific Rim in the second half of the nineteenth century. What his important study reveals even more clearly is just how much they and their images were shaped by the times and societies in which they worked.

A dubious privilege of belonging to Generation X is that your life straddles the period during which the internet went from being science fiction to settled fact of life. Take, for example, Justin Smith, the American-born, University of Paris-based historian of philosophy and science, a professor who turns fifty this year. He started out on dial-up message boards in the 1980s, saw his first HTML web page in the 1990s, and now maintains a well-regarded Substack newsletter, where, in between meditations on the historical ontology of depression and the metaphysics of onomastics, he writes with a subtle eye regarding online culture in all its manifestations.

Capital in the Twenty-First Century (2013), by French economist Thomas Piketty, is wholly unlike Sally Rooney’s Normal People (2018) bar one telling, if esoteric, similarity. For a period of time during the 2010s, being seen with the book mattered more than having read it. Ed Miliband, former leader of the British Labour Party, boasted that he had not progressed beyond the first chapter. WIRED reported that the five most highlighted passages on Kindle were in the book’s first twenty-six pages.