History

Geoffrey Blainey is seventy-three years old and has published thirty-two books. Since his last book was a history of the world, one might have assumed that he had reached the end of his career. But he is not done yet. He moves, as he has always done, from grand speculation to what might be thought trifles – in this case, the details of everyday life in Australia from the 1850s to 1914.

This bold book, with its lucid prose and vivid illustrations, will be discussed for years to come. It is not original in the narrow sense of the word, but it takes an important idea to new heights because of the author’s persistence and skill. Bill Gammage, an oldish and experienced historian of rural background ...

In 1848 Ludwig Leichhardt and half a dozen companions set out from Queensland’s Darling Downs, intending to cross the continent to the Swan River Colony in Western Australia. The entire expedition disappeared, virtually without trace. Since then at least fifteen government and private expeditions have tried to ...

Novelist Janette Turner Hospital’s recent essay in praise of New York’s Central Park remarked on its visibility from outer space. No doubt Adelaide’s Park Lands, an integral part of the 1837 vision of founding surveyor Colonel William Light’s plan for the city, can also be seen from outer space.

In 1988 the Hawke government put a constitutional amendment to a referendum. On the recommendation of the government’s Constitution Commission, we were invited to vote to enshrine guarantees of trial by jury, property rights, and freedom of religion. The proposition was rejected by all states. There is nothing surprising in that. We almost always do vote against constitutional amendment because the politicians of the right have always succeeded in persuading us that the original document (a free trade agreement between the federating colonies) is perfect and, in any case, any proposal for change is a left-wing plot to deprive her majesty’s loyal subjects of their common law freedoms.

In 1902 the New Zealander William Pember Reeves published a pioneering study of social innovations in Australia and New Zealand. He wrote it, he said, for the ‘increasing number of students in England, on the Continent, and in America who are sincerely interested in them’ ...

Britain in the later nineteenth century witnessed a radical rethinking of the role of art and design in society, one in which the earlier generation’s enthusiasm for industrial innovation and material betterment was replaced by a growing recognition of the necessity of beauty – in art, in literature, in furnishings, and in fashion – as the foundation stone of modern living. Emerging from bohemian artistic circles and avant-garde design, a new concept of beauty developed that was expressed in a variety of forms. These ranged from pictures whose meaning no longer resided in their narrative or moral content, but in the decorative balance of colour and line (summed up by the phrase ‘Art for Art’s sake’ and epitomised by the exquisite paintings of Albert Moore and James McNeill Whistler); to books of verse by William Morris or Algernon Swinburne, in which the elegance of the metrical form was matched by the stylishness of the type and cover design; to the ideal of the ‘House Beautiful’, where the subtlety and harmony of one’s arrangement of wallpaper, furniture, and objets d’art were now recognised as valid expressions of refinement and individuality.