Sarah Day

David McCooey reviews three poets at the height of their powers

November 2018, no. 406

David McCooey reviews 'Towards Light & Other Poems' by Sarah Day, 'Anywhy' by Jennifer Harrison, and 'Warlines' by Jordie Albiston

Sarah Day’s début collection, A Hunger to Be Less Serious (1987), married lightness of touch with depth of insight. In Towards Light & Other Poems (Puncher & Wattmann, $25 pb, 108 pp, 9781925780024), Day continues this project in poems concerned with light, a thing presented as both ...

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State Editor's Introduction by Sarah Day | States of Poetry Tasmania - Series Two

by Sarah Day •

States of Poetry Tasmania - Series Two

A. E. Houseman memorably said: I could no more define poetry than a terrier can define a rat. It’s not an easy matter to justify one’s decisions when faced with numerous poems from which to make a limited selection. There’s no programmatic guide to what makes a poem successful although the impact of a good poem is something we all know and recognise. ...

States of Poetry Tasmania | State Editor Sarah Day introduces the Tasmanian anthology

by Hidden Author •

States of Poetry Podcast - Series One

In this episode of Australian Book Review's States of Poetry podcast, State Editor Sarah Day introduces the Tasmanian anthology.

<div class="tagItemHeader"> <h2 class="tagItemTitle"><a href="/poetry/states-of-poetry/states-of-poetry-tasmania/199-states-of-poetry-2016-tasmania/3821-states-of-poetry-2016-tas-state-editor-s-introduction-by-sarah-day">States of Poetry 2016 - TAS | State Editor's Introduction by Sarah Day</a></h2>  <div class="abr-article-review-details"><span class="Grey-Medium">by <a rel="author" href="/book-reviews/non-fiction/law/author/6536-sarahday">Sarah Day</a></span> <span class="abr-bullet">•</span> </div> <div class="abr-article-issue"><a href="/poetry/states-of-poetry/states-of-poetry-tasmania" title="States of Poetry Tasmania - Series One">States of Poetry Tasmania - Series One</a></div> </div> <div class="tagItemBody"> <div class="customHighlightText"><p><span class="dropcap"></span><span class="dropcap">F</span>or its small population, Tasmania has produced, or attracted from elsewhere, a significant number of published poets, past and present. Not all have loved the place. In the case of Gwen Harwood, the island state was her prison, or at least that’s what she told her friends:</p> ... <a href="/poetry/states-of-poetry/states-of-poetry-tasmania/199-states-of-poetry-2016-tasmania/3821-states-of-poetry-2016-tas-state-editor-s-introduction-by-sarah-day">(read more)</a></div> </div> </div>   <div class="tagItemView"> <div class="tagItemHeader"> <h2 class="tagItemTitle"><a href="/abr-online/archive/2010/april-2010-no-320/148-april-2010-no-320/7688-rose-lucas-reviews-grass-notes-by-sarah-day">Grass Notes</a> <span>by Sarah Day</span></h2>  <div class="abr-article-review-details"><span class="Grey-Medium">by <a rel="author" href="/book-reviews/non-fiction/law/author/1438-roselucas">Rose Lucas</a></span> <span class="abr-bullet">•</span> </div> <div class="abr-article-issue"><a href="/abr-online/archive/2010/april-2010-no-320" title="April 2010, no. 320">April 2010, no. 320</a></div> </div> <div class="tagItemBody">  <div class="tagItemImageBlock abr-tags__book-cover"> <span class="tagItemImage"> <a href="/abr-online/archive/2010/april-2010-no-320/148-april-2010-no-320/7688-rose-lucas-reviews-grass-notes-by-sarah-day" title="Rose Lucas reviews &#039;Grass Notes&#039; by Sarah Day"> <img src="/media/k2/items/cache/26a9b1e5ea2a1b5c5b580c832a70c2a5_L.jpg" alt="Rose Lucas reviews &#039;Grass Notes&#039; by Sarah Day" style="width:auto; height:auto;" /> </a> </span> </div> <div class="customHighlightText hasItemImage abr-tags__book-cover"><p style="vertical-align: middle;"><span class="dropcap">T</span>he subtle beauty of the title of Sarah Day’s new collection of poetry, <em>Grass Notes</em>, epitomises the lightness of touch and intensity that characterises the poems. This is a collection of observing what might otherwise be seen as slight or glancing, yet that offers powerful prisms of insight. In a Whitmanesque mode, Day’s perspective not only looks up from the grass into the vastness of the world, but also looks at the grass itself, the unexceptional yet foundational ground of all perception and experience. Perhaps as the poet scribbles ‘notes’ in that grass, there is also an echo of Wordsworth and post-romantics such as Judith Wright or Mary Oliver. The title also chimes homophonically with the idea of the musical ‘grace note’, that small, quick, note that runs into the next and, in its delicacy, makes that central sound, or image, both more appealing and more complex. In Day’s work, it is the delicacy of such lateral images, often derived from close consideration of the natural world, that complicates and enriches the ideas at work within the poems.</p> ... <a href="/abr-online/archive/2010/april-2010-no-320/148-april-2010-no-320/7688-rose-lucas-reviews-grass-notes-by-sarah-day">(read more)</a></div> </div> </div>  </div>  <div class="k2Pagination"> <ul class="pagination"><li><a title="Start" href="/book-reviews/non-fiction/law/tag/Sarah%20Day?start=0">Start</a></li><li><a title="Prev" href="/book-reviews/non-fiction/law/tag/Sarah%20Day?start=0">Prev</a></li><li><a title="1" href="/book-reviews/non-fiction/law/tag/Sarah%20Day?start=0">1</a></li><li class="active"><a>2</a></li><li class="disabled"><a>Next</a></li><li class="disabled"><a>End</a></li></ul> <div class="clr"></div> Page 2 of 2 </div> </div>   </div>   <div class="t3-sidebar t3-sidebar-right col col-xs-12 col-sm-12 col-md-3 "> <div class="t3-module module-abr-ad-sidebar " id="Mod328"><div 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