Paul Giles
Paul Giles is Professor of English in the Institute for Humanities and Social Sciences at Australian Catholic University, Melbourne. His most recent book is The Planetary Clock: Antipodean time and spherical postmodern fictions (OUP, 2021).
André Gide, when asked who was the greatest French poet, is said to have replied ‘Victor Hugo, alas’, and many readers have responded in similar fashion to William Faulkner’s place in the history of the American novel. Werner Sollors, the eminent Harvard scholar of American Literature, unambiguously described Faulkner in 2003 as ‘ultimately the most significant American novelist of the [t ... (read more)
Though it is his second country of citizenship, Australia might be classified as J.M. Coetzee’s fourth country of residence. He was born in South Africa and served as an academic at the University of Cape Town from 1972 to 2000; he lived in England between 1962 and 1965, where he studied for an MA thesis on Ford Madox Ford and worked as a computer programmer; and he then spent seven years in the ... (read more)
The argument of James Simpson’s Permanent Revolution is that the emergence of liberalism as a cultural and political category in the sixteenth and seventeenth centuries was shaped by the ‘radically illiberal history of Protestantism’. Rather than adhering to the ‘triumphalist’ tradition of Whig historiography that regarded the Glorious Revolution of 1688 and its subsequent Bill of Rights ... (read more)
Ian McEwan’s new novel imagines an alternative history of England in the 1980s, one in which Argentina won the Falklands War and Margaret Thatcher was subsequently trounced at the polls. It also projects an alternative narrative of scientific progress, one in which the brilliant mathematician Alan Turing did not die in 1954, victimised because of his homosexuality, but instead lived on into a ... (read more)
A Season on Earth is the original version of Gerald Murnane’s second published novel, A Lifetime on Clouds, which appeared in 1976. The story behind this book’s publication is now well known, thanks to interviews Murnane has given and the author’s ‘foreword’ to this edition, where he relates how he reluctantly cut his manuscript in half to fit with Heinemann editor Edward Kynaston’s vi ... (read more)
Love and Lament offers a bracingly revisionist and upbeat account of how the arts flourished across a broad cultural spectrum in Australia over the course of the twentieth century. Margaret Plant, an emeritus professor of the visual arts at Monash University, argues explicitly with the thesis propounded by Keith Hancock, Donald Horne, and others that Australian cultural taste was ‘conservative a ... (read more)
Ever since Henry VIII plundered the monasteries, relations between those in seats of power and learning have tended to be fraught, since political administrators do not take kindly to scholars thinking they know best how to run their own affairs, and vice versa. No End of a Lesson chronicles, in a relatively neutral and detached manner, events leading to the unification of Australia’s higher edu ... (read more)
On learning that the premise of Peter Carey’s new novel involved a test of automobile reliability on a round trip across Australia, my first response was to dismiss it as a thin conceit for encompassing the country’s remoter landscape within a work of the imagination. The internet, however, quickly delivered old Pathé newsreels revealing not only that this Redex Trial was a demonstrable histo ... (read more)
Described in one of the blurbs on its back cover as ‘a cabinet of wonders for lovers of faraway countries,’ Jamie James’s The Glamour of Strangeness is unusual in terms of the wide variety of the material it covers. James focuses here on artists who left their homelands ‘to create a new self in a new place’, arguing that the ‘exotic’ aesthetics wrought by these adventurous exiles res ... (read more)