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Indigenous Writing
It’s Our Country edited by Megan Davis and Marcia Langton & The Forgotten People edited by Damien Freeman and Shireen Morris
Lucas Smith reviews 'She Woke & Rose' by Autumn Royal, 'Lake' by Claire Nashar, 'Common Sexual Fantasies, Ruined' by Rachel Briggs, 'Spelter to Pewter' by Javant Biarujia, 'Koel' by Jen Crawford, and 'Broken Teeth' by Tony Birch
A new poetry press in Australia should always be greeted with joy, and then interrogated with rigour. These six volumes from the recently created book arm of Cordite Poetry ...
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Peter Kenneally reviews 'Crankhandle' by Alan Loney, 'Stone Grown Cold' by Ross Gibson, 'Aurelia' by John Hawke, and 'Dirty Words' by Natalie Harkin
Poetry books as artefacts in their own right, regardless of commercial viability or relevance to the click-bait Zeitgeist, are currently showing sturdy signs of life, so it is a welcome development to have the online Cordite Review sensibility fixed in print, in a palpable way and on a gras ...
The shortlist for the 2011 Miles Franklin Literary Award, which included Kim Scott’s That Deadman Dance, was controversial because it consisted of only three novels, all w ...
Professor Kim Scott (1957-) is an award-winning indigenous author. His books include True Country (1993), Benang (1999), Kayang and Me (with Hazel Brown, 2005), and That Deadman Dance (2010). He has won the Miles Franklin Literary Award twice (for Benang and That Deadman Dance) and has also been awarded th ...
A relatively unusual occurrence until recently, the publication of a plethora of new Australian Aboriginal-authored and/or Aboriginal-themed children’s books has begun transforming the Australian publishing landscape. A number of these books, like Rhoda Lalara and Alfred Lalara’s charmingly evocative Yirruwa Yirrilikenuma-langwa (When We Go Walkabout: Allen & Unwin, $24.99 hb, 32 pp, 9781743314562), are rendered bilingually, in the latter case in Anindilyakwa, the mother tongue of the majority of Groote Eylandt residents, as well as in English.
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