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Non Fiction

In a 2011 lecture, David Crystal, a leading authority on the English language, spoke about the possibility of a ‘super-dictionary’ of English – a dictionary that would include every word in global English. Such a dictionary was, he acknowledged, a ‘crazy, stupid idea’, but an idea that seemed somehow possible in the electronic age, where the constraints of print no longer apply.

Dictionaries in the mould of Samuel Johnson’s A Dictionary of the English Language (1755) and James Murray’s Oxford English Dictionary (OED, first volume 1884) have shaped our understanding of what a dictionary is. Dictionaries of the twentieth century, from Webster’s to the Chambers Dictionary to the Macquarie Dictionary to the Australian Oxford Dictionary, have followed in their footsteps.

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In 1966 as a young first-year cadet at the Royal Military College, I purchased Anzac to Amiens by C.E.W. Bean, which had been published twenty years earlier. Bean had been Australia’s Official Historian for World War I, and Anzac to Amiens was his masterly condensation of the twelve-volume official history of which he had been the general editor and principal author. It was to be many years before I purchased the twelve volumes or could find time and commitment to read them. In the meantime, Anzac to Amiens was my guide to the history of Australia’s involvement in the war. I still refer to it.

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On the rear jacket of this fascinating and important book is a picture of Winston Churchill at his desk at Chartwell, his house in Kent, just a few months before the outbreak of World War II. Apparently caught in the moment of literary creation, cigar in mouth and concentrating on his papers, the photo credit – to a Picture Post photographer – leads to the obvious suspicion that this was actually a staged shot. For Churchill, his country home was not merely a place of repose but a writing factory, the output of which would earn him the large sums of money necessary for its upkeep. At the same time, his image as a man of letters served to advertise the product as well as to suggest the existence of a non-political ‘hinterland’ of the kind appropriate to a statesman of fertile brain and broad views.

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Animal Death edited by Jay Johnston and Fiona Probyn-Rapsey

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June–July 2014, no. 362

As Carol Freeman notes in a footnote to her chapter in Animal Death, ‘what the term “animal studies” defines is still being debated’. The seventeen chapters of this edited volume range across historical, scientific, cultural, and artistic animal-related subjects. They reflect a self-conscious commitment on the part of editors Jay Johnston and Fiona Probyn-Rapsey to the transdisciplinary nature of this inchoate field of scholarship. Although the title and unifying theme of Animal Death might seem to betoken a narrow focus on confrontational questions surrounding the killing of animals by humans – which are at times addressed unflinchingly – in actuality the book’s compass is far wider. It is a text that will be of great value to novices and experienced animal studies scholars alike: the kind of book a reader should be wary of opening with a pencil in hand, lest she find herself underlining the whole thing.

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This book by Nigel Biggar, Anglican minister and Oxford Professor of Theology, is in the rich and broad tradition of thinking about war known as Just War Theory (JWT). JWT sees war as justifiable, but holds that decisions about going to war, as well as about the way it is fought, are subject to moral constraints ...

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Do the ends always justify the means? And if the boats really have stopped coming, should we see the death of Reza Berati and the suffering of thousands as the collateral damage of a successful policy?

Paul Toohey’s panoramic sweep of this human, ethical, and political terrain begins with a visit to Cisarua, a small resort town in the mountains south of Jakarta that has become a major centre for people seeking asylum in Australia. Some are awaiting the outcome of formal applications for refugee status. Others are preparing to risk a boat. It is July 2013, two months before the federal election. Toohey spends time getting to know people, listening to tales of their journeys and, later in the essay, talking to survivors plucked from the ocean after a boat is lost at sea. If for no other reason, Toohey’s essay should be read for this; as a powerful, necessary reminder that ‘asylum seekers’ have stories, loves, fears, names, and faces.

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Dangerous Allies by Malcolm Fraser, with Cain Roberts

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June–July 2014, no. 362

Coinciding with the World War I anniversaries, Malcolm Fraser’s book will polarise Australian opinion on a fundamental issue. It has never been raised in this way, for Australian leaders have not discussed decisions to go to war in public, nor sought popular approval of Australia’s alliances. Yet successive generations of young Australians have fought in British and American wars to support our allies and to ensure that they would defend us. In Korea, Vietnam, Iraq, and Afghanistan, the enemy were people who did not threaten Australia. But, as Fraser is not the first to observe, cowed countries do as great powers demand, while in return great powers do what suits their own interests.

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Sometimes the simplest of mistakes reveals far more of our preconceptions about human acts and motives, and about the complex relationships that make a human society, than we could have imagined. Such was the case with what journalist and lawyer Julie Szego dubs the ‘tainted trial’ of Farah Jama, a young Somali man who spent eighteen months in prison for a rape that almost certainly never happened.

Jama, who was accused of raping a woman found unconscious in a locked toilet cubicle in a Melbourne suburban nightclub in 2006, is the most notable Australian victim of what has been called the ‘CSI effect’: an uncritical regard for scientific techniques in the collection and analysis of evidence in criminal cases. His conviction relied solely on DNA testing, and almost nothing to corroborate it was cited at his trial. The fact that no one in the nightclub on the night in question remembered seeing a tall black man on a dance floor thronged with white faces, and that the club’s closed-circuit television tapes showed no such person entering or leaving the premises, apparently did not bother the jury or the trial judge. Nor did the fact that the woman had not even a hazy memory of the ordeal she was believed to have suffered.

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Reports about the Mossad often have the unfortunate trait of reading like a John le Carré novel. We hear of spies assuming false identities and injecting poison into the ears of Israel’s enemies, or of a Mossad director beginning his weekly meetings with the question, ‘Who are we going to assassinate today?’ Unfortunately, most of these stories are true. As well as enhancing the agency’s notoriety, the Mossad’s outlandish methods serve to distract from their less exciting but more consequential activities. They also obscure the more worrying truth about intelligence agencies: they are run by ordinary people, and ordinary people make mistakes.

A number of such mistakes are evident in the story of Ben Zygier, the Australian–Israeli man who recently died in an Israeli jail under mysterious circumstances. Zygier grew up in Melbourne, found Zionism, and moved to Israel to work for the Mossad. A few years into his career, however, he was arrested on unknown charges and secretly held in isolation in an Israeli prison, where he committed suicide on 15 December 2010.

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In Iris Murdoch’s novel, The Sandcastle (1957), a young artist called Rain Carter is commissioned to paint a retired schoolmaster, Demoyte, an eccentric with an offbeat sense of humour. Instead of his usual attire – a shabby red velvet jacket with tobacco stains and bow tie – Demoyte turns up ...

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