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Non Fiction

This week on the ABR Podcast, Grace Roodenrys reviews KONTRA by Eunice Andrada, observing that the collection draws on a poetics of cultural excavation.

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Amanda Lohrey

My novel of the year is Italian writer Vincenzo Latronico’s Perfection (Text Publishing), a slyly political novel about a cool young couple in Berlin whose good intentions are undermined by neo-liberalism’s pet child, a rootless cosmopolitanism. I once shared an office with the poet Dorothy Porter and it was an experience. Porter died in 2008 at the age of fifty-four and in Gutsy Girls (University of Queensland Press) her sister Josie McSkimming crafts an affecting portrait of the poet and the resistance of both sisters to their volatile father. Beautifully written and with some of Porter’s best poetry woven throughout the text. Joan Didion’s Notes to John (Fourth Estate) is perhaps the ultimate in literary voyeurism, a diary of Didion’s sessions with her psychiatrist, published after her death. Didion’s therapist is an intriguing character in his own right.   

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The Australian philosopher Michelle Boulous Walker – writing in Philosophy and the Maternal Body: Reading silence (1998) – argued that making sense of the exclusion of women from Western philosophy required thinking beyond a ‘spatial logic of “inside” and “outside”’; the marginalisation of women’s voices ‘needs to be understood as something more than a simple exclusion’. In the case of institutional philosophy, at least, this is because there are logics found within it that work to silence women.

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Walter Lippmann might be the defining example of a public intellectual. He profoundly influenced public and political debate in America during the twentieth century. A prolific journalist and columnist, he also published ten major books and even more edited collections and compilations. The best of these were thought-provoking disquisitions on public opinion, communications, politics, international relations, and the ways in which liberal thought has developed in the United States. His was, argues Tom Arnold-Forster, ‘a six-decade commentary on the vicissitudes of politics’.

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The World at First Light: A new history of the Renaissance by Bernd Roeck, translated from German by Patrick Baker

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December 2025, no. 482

A few years ago, conservatives in Australia supported a push to get courses on Western Civilisation into universities, with generous funding from the Ramsay Foundation. They wished to combat what they saw as an overemphasis on the evils of colonialism and postcolonial exploitation and to reinstate a history proclaiming the benefits of European culture. At first glance, Roeck’s book matches this agenda. It retells, in updated form, the grand narrative of a sublime ancient Greek culture – described as ‘an unparalleled achievement of the human mind’ – transmitted by the Romans, then rediscovered and enhanced by the Renaissance, that ultimately brought the benefits of democracy and European science to the world. Its heroes (the word recurs repeatedly) are male thinkers, artists, and inventors, and its ‘modernity’ is exclusively European.

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I cannot recall an Australian history book that has received more reviews so soon after its release than Tony Abbott’s recent offering, Australia: A history. Frank Bongiorno, Michelle Arrow, Marilyn Lake, Jane Lydon, Marcia Langton, and even former Australian of the Year Grace Tame have all given their thoughts on Abbott’s tome. The reviews have ranged from mildly positive to utterly scathing. This is hardly surprising, given how polarised opinions are of the former prime minister. Mostly, however, responses from leading historians have challenged the book’s ideological framing, selective storytelling, and the marginalisation of Indigenous and feminist perspectives. This book is in every sense Tony’s Abbott’s ideologically partisan, aspirational history of Australia for Australians.

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I was weaned on Blackadder. It was a series that hit its comedy straps when Ben Elton came on board for the 1986 second season to begin his immensely fruitful collaboration with Richard Curtis. Blackadder played a similar role in my childhood to Horrible Histories in the next generation. Its third season should probably take at least partial blame for the decades I spent studying Britain’s Georgian decades.

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107 Days by Kamala Harris

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December 2025, no. 482

Who is Kamala Harris and what does she stand for? This question animated coverage across the political spectrum during her 2024 US presidential campaign, even though she was already serving as Vice President – the first woman, the first African American, and the first Asian American to hold the office. At crucial points, Harris herself struggled to articulate her own distinctive agenda. When asked on the television talk show The View what she would have done differently from Democrat President Joe Biden over the past four years, she replied, ‘There is not a thing that comes to mind.’

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This is not really a book about Australian foreign policy in the Trump era. It is, however, an attempt to chart the coordinates of President Trump’s approach to the world in his second term. It depicts Australia, not unlike most other US allies in Europe and Asia, scrambling to remain relevant to Washington as the fond and the familiar in the international system are tossed to and fro by the latest Trump hurricane. Clinton Fernandes, a former intelligence officer in the Australian army and now Professor of International and Political Studies at UNSW, is damning of the inability of successive Australian governments to explain to the Parliament or the Australian people why Australia has become, in his words, a ‘US sentinel state’, alongside the Republic of Korea and Japan. The strongest parts of the book are those which ask precisely how this state of affairs has eventuated. The questions are vital, but Fernandes knows that they are unlikely to be answered by this government.

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The Future of Truth by Werner Herzog, translated from German by Michael Hofmann

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December 2025, no. 482

Werner Herzog is as much a poet as a storyteller, whether he is dealing in images or words. He thinks in metaphor, often extended ones, like the story of the Palermo Pig that begins his new book, The Future of Truth. His creative endeavours tend to sneak up on their final form from behind, or from sideways, pouncing in knights-move ...

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