In October 2009, Shirley Hazzard spoke at the New York launch of the Macquarie PEN Anthology of Australian Literature. Hazzard read from People in Glass Houses, her early collection of satirical stories about the UN bureaucracy. Her appearance serves to remind Australian readers that Hazzard continues to occupy a defining, if somewhat attenuated, place within the expansive field of what Nicholas Jose described in 2008, on taking up the annual Harvard Chair of Australian Studies, as ‘writing that engage[s] us with the international arena from the Australian perspective’. Jose went on to cite Hazzard’s most recent novel, The Great Fire (2003), as part of ‘a range of material which Americans would not necessarily think of as Australian’.