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Jana Wendt has conducted her share of difficult and confronting interviews with public figures during her television career, but rather than rehashing old encounters for this book, she spoke afresh to thirteen people, naming each interview after a principle the subject nominated, or one that ‘seemed to me to most obviously propel the thinking and attitudes of the person in question’.

This is a heavy book with which to make a leap of faith: to trust that one life can make a difference in the deeply compromised pursuit of international justice and security. In the epilogue to her biography of Sergio Vieira de Mello, Samantha Power suggests ‘if there was anyone who could have wrung from the UN whatever reform and promise it could muster, it was he’. In this long book, depicting some of the worst that humanity can inflict on itself, Power builds this image of Vieira de Mello. If her claim for his significance is justified, then we might indeed revisit the conditions for such faith.

Poems 1980–2008 selects from Jan Owen’s first five collections and adds eighty pages of new poems. This is an accomplished, playful, intelligent collection which confirms Owen’s status in the front ranks of Australian poets (why is there so little criticism or commentary on her work?). It is full of angels, goddesses, older men, iconic art, imagined sex, strange fruit, flowers, trees, birds, travels through Europe and Asia – encyclopedic ideas and sinuous, crafted language.

Gloria Davies quotes William Blake in the acknowledgments to her book: ‘true friendship is argument.’ When choosing that quote, I wonder if she had the Chinese concept of zhengyou in mind. That is the word Kevin Rudd chose for friendship when he spoke to the students at Peking University in April this year. Zhengyou is not just about friendship, for which there is another Chinese word (youyi); it defines a true friend as one who dares to disagree.

At Thy Call is Clive Holt’s account of his experience as a soldier in the Angolan War. The author aims to convey the enormity of this event and the impact it has had upon the servicemen involved. In doing this, he provides an alternative to those writings that have addressed only ‘the tactical components of the war’.

The book opens in the late 1980s, when the teenage Holt entered the conflict in Angola as part of South Africa’s compulsory two-year military conscription for white males. Holt describes the carnage and fear that he and his fellow servicemen frequently experienced. The author also discusses his struggle with Post Traumatic Stress Disorder (PTSD) in the war’s aftermath.

At a time when some fiction writers are busy defending their right to incorporate autobiographical elements, and some non-fiction writers are being charged with fabrication, it seems timely of Nam Le to begin his collection of stories with one that plays with notions of authenticity in literature ...

Get out that DVD of Gentlemen Prefer Blondes. Locate the scene with Marilyn Monroe in the pink satin strapless number, singing ‘Diamonds Are a Girl’s Best Friend’. Study the dancers and find that statuesque blonde in the black bustier posing as a human candelabrum. That’s Anna David. (Her best friend, Eleanor Phillips, is one of the all-American girls with pink roses in their hair). It wasn’t Anna’s first film – if you’re very alert you can spot her in All About Eve – and it wasn’t her last. Hitchcock cast her as Kim Novak’s double in Vertigo, and Tippi Hedren’s in The Birds.