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Archive

Consumed by Caroline Hamilton

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June 2008, no. 302

A startling début novel by Melbourne-based author Caroline Hamilton, Consumed is a truly macabre story that will disturb and alienate some of its readers. The (at times patchy) prose revels in its gratuitous descriptions of the preparation of food, especially meat, but this may be a deliberate choice in the face of sanitised offerings available at your local supermarket.

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Britishness Abroad: Transnational Movements and Imperial Cultures edited by Kate Darian-Smith, Patricia Grimshaw and Stuart Macintyre

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June 2008, no. 302

In her contribution to Britishness Abroad, ‘Colonial Enclaves and Domestic Spaces in British New Guinea’, Anne Dickson-Waiko writes that ‘the experiences of the colonised Other in relation to empire and colonisation needs [sic] urgent investigation, so that the colonised other can … move on to the post-colonial’. She shows a touching belief in the usefulness of research in the humanities: I envy her confidence that her efforts will have such a beneficial effect on the world beyond the academy.

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A History of The Great War alludes to an encyclopedic work that appeared in the wake of World War I. Bound in red leather and embossed with gold, it exemplified officially sanctioned history. Peter McConnell’s recommissioning of the title is more than mere irony: it throws down a challenge to our acceptance of conventional history. His central character is a latter-day Penelope, a decent, ordinary woman who nonetheless possesses many of the noble attributes often evinced by the Anzacs: endurance, resourcefulness, patriotism and courage.

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Encyclopedia of Exploration 1850–1940 by Raymond John Howgego & Australia in Maps by Maura O’Connor et al.

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June 2008, no. 302

The concluding volume to Raymond Howgego’s epic Encyclopedia of Exploration completes a remarkable undertaking by a small publisher. Hordern House, best known as one of Australia’s leading antiquarian booksellers, has a record of producing high-quality publications, and Howgego’s Encyclopedia – now totalling more than 3,500 pages – is by any standards a great reference work. Volume 1 (published in 2003) covers the whole of human history up to 1800CE; Volume 2 (2004), 1800–50; and Volumes 3 and 4 (subtitled The Oceans, Islands and Polar Regions and Continental Exploration, respectively), 1850–1940.

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John Mateer’s Elsewhere is a collection of poems from elsewhere – other small-press publications – and about elsewhere. The book is divided into three parts: ‘Azania’, which documents Mateer’s return to his homeland, South Africa; ‘Medan and Zipangu’, which contains poems inspired by travels in Asia; and ‘Americas’, which takes the United States and Mexico as its subjects. In ‘Uit Mantra’, one of the poems in the collection, Mateer describes the poet as ‘another name for emptiness’. As he traverses the various landscapes and cultures that inspire him, Mateer acts as a cipher for both the tangible particularities of experience – landscapes, history, people – as well as the unsayable and the unsaid – the repressed, metaphysical and hallucinatory.

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Eclogues: Newcastle Poetry Prize Anthology 2007 edited by Martin Harrison, John Jenkins and Jan Owen

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June 2008, no. 302

The moon rising ‘nicotine-stained and peaceable / into the fingers of the silver trees’, arid land freshly rained on ‘like a dark sticky biscuit’, and a cow’s head like a ‘rounded anvil’: these are images plucked from the winning and highly commended poems of Mark Tredinnick, Barry Hill and Andrew Slattery, respectively, from last year’s Newcastle Poetry Prize. Notice the bucolic theme – these top three poems are all, loosely speaking, narrative poems in pastoral settings. This is partly why this printed anthology of the prize’s shortlist has borrowed its name from the title of Tredinnick’s award-winning poem.

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This splash of books demonstrates that the vigorous publishing for the young adult market embraces subjects as varied as mental illness, bullying, sleuthing in medieval times, crime in the present, defending an occupied Australia and two dead mothers; and is written across the genres of realism, fantasy and historical fiction. But how much is enticing to the adolescent reader?

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Breath by Tim Winton

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May 2008, no. 301

One of the intriguing things about Breath, Tim Winton’s first novel in seven years, is that it has a number of affinities with his very first book, An Open Swimmer (1982). Both are coming-of-age novels that attempt to capture some of the confusion and melancholy of youth ...

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Unstill Life by Judith Pugh & Self-Portrait of the Artist’s Wife by Irena Sibley

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May 2008, no. 301

Marry an artist? Never! So I always thought, and reading these autobiographies does nothing to change my prejudice. Married to artists, both Judith Pugh and Irena Sibley spend a good deal of their time cooking and, even more, socialising. Not that they mind. Judith declares that ‘cooking was my deep pleasure’, essential to the story of her life with Clifton (‘Clif’) Pugh. Irena concedes facetiously, ‘it’s too hard painting pictures. It is easier to bake cakes.’ The importance of food is apparent in the chapter titles. Eleven of Sibley’s chapters refer to food, while all of Pugh’s have subheadings that, typically, jumble up evocative ingredients.

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In 1938, the year of Australia’s sesquicentennial celebrations, trade unionist William Ferguson and former boxer John Patten helped to organise the first Aboriginal Day of Mourning and Protest on January 26; later that year, they co-wrote the pamphlet from which the above excerpt is taken, on behalf of the nascent Aborigines Progressive Association ...

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