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Books of the Year

Judith Armstrong

I want to recommend one book only: The Ferocious Summer: Palmer’s Penguins and the Warming of Australia (Allen & Unwin), by Meredith Hooper, an Australian woman living in Cambridge. This is a lovely book, beautifully written, with deep concern for both science and story. It is a study of the effects of rising temperatures on the small Adélie penguins at Palmer Station on Anvers Island in the Antarctic. How, against all odds, did The Ferocious Summer so entrance me? It is not just the arresting message it carries – that climate change is something specific and local, delivering ‘sudden blows or glancing whacks’, rather than throwing a warm blanket over the earth. Its sad effects on baby penguins (low birthweight, failed eggs) is the central evidence in this unfolding reality, but so is that of the colony of volunteer scientists and support people, who brave blizzards to make their observations, and live in accommodation so limited that per-sonal space is almost non-existent. Hooper’s ability to convey in sensitive and singular language the intimate interaction between nature and humans, birds and researchers, the sea, the ice and the land, is deeply moving. The book was entered in a state literary competition; the five-person panel, of which I was the convenor, was unanimous in awarding it first prize. But, because the author is unknown here, the news sank like a stone. This is my attempt to publicise a superb piece of writing.

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Pam Macintyre

Top of my list is Sonya Hartnett’s bitter-sweet story of love and loss, The Ghost’s Child (Viking), for its emotional punch, mixture of realism, fairytale and magic realism, and exquisite prose. Also written with emotional clout is Bill Condon’s witty and frank Daredevils (UQP). Joel and Cat Set the Story Straight (Penguin), by Nick Earls and Rebecca Sparrow, gives sheer pleasure in a double-double writing act: Earls writes the wannabe Matthew Reilly contributions to a joint school writing task, while Sparrow has Cat channelling Jane Austen. The consequences of the uneasy school and personal relationships between the two, their increasingly intertwined lives, and the story they create are hilarious.

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This year I have read too many American political quickies, and large numbers of somewhat more satisfying detective stories. Amid the revelations about Hillary Clinton’s childhood, and the equally fictitious accounts of intrigue in Istanbul and Venice, a couple of books stand out. Andrew Wilson’s The Lying Tongue (Text) and Stephen Eldred-Grigg’s Shanghai Boy (Vintage) are ‘gay books’ that speak to themes other than sexuality, and deserve to be better known. Although ultimately too improbable, Andrew McGahan’s Underground (Allen & Unwin) evokes rather well a left-wing dystopia, centred on a Howard-like government. As for nonfiction, Tony Judt’s Postwar: Europe since 1945 (Heinemann), while telling us more about Poland and less about Spain than we need know, is a fascinating reminder of the Cold War era, evoked for the other side of the Atlantic in Thomas Mallon’s novel Fellow Travellers (Pantheon).

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Dennis Altman

In any given year we will read but a tiny handful of potential ‘best books’, so this is no more than a personal selection. Here are two novels that stand out: Stephen Eldred-Grigg’s Shanghai Boy (Vintage) and Hari Kunzru’s Tranmission (Penguin). Both speak of the confusion of identity and emotions caused by rapid displacement across the world. The first is the account of a middle-aged New Zealand teacher who falls disastrously in love while teaching in Shanghai. Transmission takes a naïve young Indian computer programmer to the United States, with remarkable consequences. From a number of political books, let me select two, both from my own publisher, Scribe, which offers, I regret, no kickbacks. One is George Megalogenis’s The Longest Decade; the other, James Carroll’s House of War. Together they provide a depressing but challenging backdrop to understanding the current impasse of the Bush–Howard administrations in Iraq.

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To celebrate the best books of 2005 Australian Book Review invited contributors to nominate their favourite titles. Contributors include Morag Fraser, Peter Porter, Kerryn Goldsworthy, Nicholas Jose and Chris Wallace-Crabbe.

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To celebrate the best books of 2004 Australian Book Review invited contributors to nominate their favourite titles. Contributors included Dennis Altman, Brenda Niall, Kerryn Goldsworthy, Morag Fraser and Chris Wallace-Crabbe.

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Tony Birch

In a year when I did not look at much fiction, both the best and worst of my reading dealt with Australian culture and history. The bad writing I will leave aside. Mark Peel’s The Lowest Rung: Voices of Australian Poverty (CUP) is an ethical and passionate account of the realities of living poor in Australia. Colin Tatz’s With Intent to Destroy: Reflecting on Genocide (Verso) is an intelligent and mature engagement with a discussion that must be had in this country. Don Watson’s Death Sentence: The Decay of Public Language (Knopf) provides a timely warning that the issues of concern to Peel and Tatz will not be enhanced by using the word ‘enhancement’ (among others).

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Don Anderson

Don Watson’s Recollections of a Bleeding Heart: A portrait of Paul Keating PM (Knopf). Gripping narrative; gripping drama. Plenty of heart; plenty of blood on Canberra carpets. Fond picture of possibly Australia’s last Labour prime minister. Sylvia Lawson’s How Simone de Beauvoir Died in Australia: Stories and essays (UNSW Press). Complex, spacious, committed, convincing, intellectually riveting speculations and reflections. And, finally, anything by Peter Temple, an outstanding crime fiction novelist who combines true grit and a college education with the smells of the city (Melbourne). Try Shooting Staror Dead Point (both from Bantam).

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Archie Fusillo

The following books manage to avoid patronising their intended audience by eschewing proven ‘age-appropriate’ characters and/or sanitised versions of contemporary issues inserted into formulaic plots. Finding Grace (Allen & Unwin), by Alyssa Brugman, balances pathos and drama in telling the story of a young woman, Rachel, who discovers the real meaning of heroism and personal strength when she leaves university to care for car accident victim Grace. Wildlight (Penguin), by David Metzenthen, weaves historical detail, an ear for dialogue, and a keen sense of adventure into a clever story of self-discovery by his illiterate protagonist Dirk Wildlight. Ian Bone’s The Song of an Innocent Bystander (Penguin) grips the reader with the force of its moral and ethical dilemma, while never straying from being a probable story set in a world that is becoming less and less predictable.

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Don Anderson

Donald Home’s Looking for Leadership: Australia in the Howard Years (Viking) gives us an octogenarian social commentator in youthful form. Unlike our leaders, Home translates difficult ideas into something with connections to human lives. John Forbes’s Collected Poems (Brandl & Schlesinger) is an invaluable collection of work by a major poet – Sydney’s finest since Slessor. Southerly (edited by David Brooks and Noel Rowe) is a senior citizen reborn. Decades ago, an eminent Catholic historian described Southerly as ‘the undertakers’ journal’. It is now firmly in the land of the living, and balances scholarly essays, matters of record, and imaginative literature.

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