Short Stories

The quiet had left me. That’s how I put it, but I meant Maree. Most of her cosmetics abandoned in a swollen-stuck bathroom drawer. Hydrators, anti-aging, complexion correction. Potions, I called them, like an old man describing a woman’s things. A few days after she left I tried them on myself, mostly for the smell of her. Of course they did not correct anything, did not make me beautiful, only streaked me to an unlikely shade – Maree’s – darker and more lustrous than my own. I accepted why she’d gone. She’d made a choice, and it was not the wrong choice – her folks old and susceptible, too proud to see it and too stubborn to budge. Bad reception where they are. Have to climb a hill to make a call. But she never climbs the bloody hill. And her emails, when they come, arrive in business hours.

It was important that no one took your photograph because you didn’t want to end up a rude picture for bad men to download. We were very sure of that, very certain in our certainty. ‘Noah Potnik has a program,’ Felix and Otis swore, ‘that strips the clothes from any photo to show what the person looks like underneath.’ Noah Potnik had nude pictures of Gal Gadot and Emma Watson and Gigi Hadid, and Felix and Otis told how he’d flashed these images to them with a horrible grin on the bus one afternoon, their eyes growing as big as paper plates because with this power a person could X-ray past the clothes of anyone they wanted, but that meant that even though for some reason Noah Potnik didn’t have any pictures of boys it must be possible that they, too – Felix and Otis – could end up flying around the internet where people would stare at them with their clothes off.

O.G. and Tebita sat down by the river. Several minutes of confused communication had concluded, once again, in a revelation of O.G.’s obtuseness. O.G. had asked the name of the river, as it wasn’t yet the Nile. But Tebita kept saying iteru, which O.G. knew meant river. So O.G. pointed again to the water and said ‘But how is this river called? What is the name on it? Which river is this?’ And, despite the frustration, was impressed she could even ask the question three different ways after – was it five? – weeks in Abydos. Time, her friend, her enemy, had become difficult to reckon.

A crow-shaped shadow flies across the river. Juna knows that her daughter is coming, so the right thing to do is make her favourite feed. Juna casts a fishing net over the river with her mind. The net drifts onto the surface, slips under the skin, and is swallowed by the water. The net descends through the deep water slowly, resting on the bed. River grass unflattens and pokes up between the spaces. Juna sings a song to attract fish to the area.