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Letters to the Editor

ABR welcomes concise and pertinent letters. Correspondents should note that letters may be edited. They must reach us by the middle of the current month. Emailed letters must include a telephone number for verification.

... (read more)

ABR welcomes concise and pertinent letters. Correspondents should note that letters may be edited. They must reach us by the middle of the current month. Emailed letters must include a telephone number for verification.

... (read more)

Sneer tactics

Dear Editor,

Perhaps you will allow me to reveal that this is the second letter I have written to ABR in response to Richard King’s review in the November 2001 issue under the heading ‘One Long Giving Away’. The first letter was rejected because it was too long, because it quoted two short poems from the poets under attack, because of references to an earlier article I had written, and because of a comment about the review’s tone.

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Bauman’s point of departure

Dear Editor,

Boris Frankel bursts in through open doors. He gives Zygmunt Bauman and me stick for speaking our truths (ABR, October 2001). Viewed in its own terms, what remains of the Left in Australia is in a bad way because it has failed (1) to clarify its ethics, norms and values and (2) to develop alternative visions and policies upon them; because (3) there is no popular bearer or social movement available to carry these invisible ends; and (4) because there is no evidence of popular support for a new society, present unhappiness and misery notwithstanding. If this is not modern, what is it? (If the Soviet and Nazi experiences were not modern, what were they?)

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Jazzing it up

Dear Editor,

Patrick Wolfe’s review of my book The Culture Cult (‘The Remorseless Right’, ABR, September 2001) makes an exciting read (such astonishing political intrigues!), but the truth is not quite what he imagines. Let me clarify a few points.

I am said to have made ‘scurrilous personal attacks’ on Raymond W ...

Dear Editor,
Defending Inga Clendinnen against my criticisms (ABR, July 2001), John Clendinnen attributes to her a controversial view about the nature of moral judgment. I don’t hold it and, if I were to judge solely by her practice, I would be surprised if she does. Be that as it may: I’ll try to put my points by keeping philosophical assumptions down as much as possible.

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Better off without him

Dear Editor,

James Griffin, in his effort to rehabilitate John Wren (ABR, June 2001), attacks me and other historians. Stuart Macintyre has replied strongly; and Manning Clark, the main target, is unfortunately dead.

My turn now. Griffin refers to a book by me and two co-authors, Doc Evatt (1994), and says that ten letters from Evatt to Wren were ‘made available’ for the writing of this biography. Actually, no such letters were made available to me by anyone, and there was no reference to them in my main source, the Evatt Papers at Flinders University. I had never heard of the existence of the letters until I read an article on the subject by Griffin in Eureka Street (September 1992).

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James Griffin and John Wren

Dear Editor,

Some of your readers will be familiar with the problem. You set aside a few days to get to the National Library to pursue a research project. You obtain the manuscripts, order the material in the Petherick Room, and settle down to uninterrupted industry, when an avuncular bore with too much time on his hands buttonholes you and bangs on about his own project. You do not wish to appear uninterested, yet hope that the windbag will leave you alone and get back to his own table, perhaps even write the book that he rehearses so insistently as the precious minutes tick by.

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A Vexing Theme

Dear Editor,

I write in reply to Anne Pender’s review of my book, The Enigmatic Christina Stead, under the title ‘A Vexing Theme’ in the May edition of ABR. While I appreciate that my book offers an unconventional, even controversial, reading of Stead’s work, Pender’s review seriously misrepresents my argument. In parti ...

Photography in ABR

Dear Editor,

When beginning this message, I came upon my last message from Helen Daniel; it was an eerie and sad moment. So I add my voice to the many who feel her loss: it was always a pleasure to work with her.

I am writing now to say how pleased I am with ABR’s new design and Peter Rose’s initiative as editor i ...