Commentary

In December last year, the Art Gallery of New South Wales launched its Sydney Modern project, the centerpiece of which was an extraordinary new building overlooking Sydney Harbour. Sydney Modern has received mixed reviews, some lamenting that it seems to have been designed as a chic backdrop for Instagram selfies. In this week’s ABR podcast, Julie Ewington, an arts curator and broadcaster, describes her first encounter with Sydney Modern in a piece titled ‘Lyrical layers at AGNSW’, published in the April issue of ABR.

In this week’s ABR podcast, James Curran considers the response of Asia-Pacific nations to the government’s decision to retain AUKUS, the major foreign affairs initiative of the Morrison government. In seeking to shape this response, Foreign Minister Penny Wong’s message is necessarily complex, argues Curran.

Policy announcements are a peculiar kind of theatre, and Labor’s launch of its new five-year arts plan, Revive, was a strong example of the genre. It was held at Melbourne’s iconic Espy in St Kilda, a venue where arts audiences were treated to words of encouragement from Minister Tony Burke on his speaking tour to spruik the submissions process in 2022, and where ‘DJ Albo’ once entertained a modest crowd.

What has spurred thousands of ordinary women in Iran and throughout the world to take to the streets under the slogan ‘Woman, Life, Freedom’? How unprecedented is this recent uprising in the history of Iran’s women’s movement? In this week’s ABR podcast, author-journalist Zoe Holman discusses the distinctive features of this protest and argues that its primary drivers are members of Iran’s Generation Z, who are educated, fearless, and angry. 

After its recent political and financial traumas, your correspondent arrived in London expecting to find a sombre, subdued city. Far from it. The Christmas lights were blazing in the West End, and on the weekends it was almost impossible to move while battling the hordes. But it was noticeable that few people were actually carrying shopping bags, and though the stores were crammed, the actual lines at the counters were remarkably short. The high-end restaurants were packed with pre-Christmas parties; after all, in London the rich you will always have with you. It may be my imagination, but the gaiety seemed slightly hysterical, as though this were a version of the duchess of Richmond’s ball – a last frolic before the onslaught. 

The United States is entering an important phase. By this time next year, with most presidential candidates declared, we will know whether the republic is post-Trump and returning to ‘normalcy’ or approaching peak-Trump and moving toward some sort of civil discord. I predict the former. The midterm elections in November 2022 revealed a nation grasping for the centre. The extremes of left and right did poorly. I expect this trend to continue through November 2024. So, for centrists, some New Year reasons to be cheerful. 

With protests by members of the Iranian diaspora burgeoning across Europe and the rest of the world, I attend a demonstration in central Athens. A group assembles in front of the Greek Parliament, with two banners outstretched. The first reads ‘Woman, Life, Freedom’, the second, ‘the Iranian people no longer want the Islamic Republic’. The mise en scène seems to capture the genealogy of a movement that began with the death of a twenty-two-year-old Kurdish woman, Jina (or Mahsa) Amini, on 16 September in Tehran following her arrest by the notorious morality police, and has since grown into what has been deemed the biggest domestic threat yet to the existence of the Islamic regime.