Accessibility Tools
- Content scaling 100%
- Font size 100%
- Line height 100%
- Letter spacing 100%
Simon Caterson
Simon Caterson is a Melbourne-based writer whose first contribution to ABR appeared in 2001.
Bad art is where the personality of the artist reveals itself most fascinatingly, according to Lord Henry Wootton, the Wildean aesthete in The Picture of Dorian Gray. It is an idea that assumes an unexpected relevance as we reach the tenth anniversary of what is perhaps the strangest phenomenon in Australian publishing history.
November 1991 saw the publication of Chopper: From the Inside, the ... (read more)
Australia’s bid for the atomic bomb is one of the great ‘what ifs’ of Australian history. Until now it has also been one of the greatest unknowns. According to Historian Wayne Reynolds, a convenient fiction has arisen which holds that all that really happened was that the Anglophile Menzies government allowed Britain to test its bombs at Maralinga to no great effect, except a legacy of ... (read more)
To an appreciable extent, this is a book that can be judged by the cover. In the auto-interview accompanying the publisher’s media release, Anthony O’Neill explains that he was motivated to write his second novel by a desire to ‘emulate certain classic tales of the macabre that emerged from the nineteenth century, arguably the greatest century for novels’. In particular, he states that The ... (read more)
Serious observers of American presidential politics will not have missed the rapid rise to national prominence of Pete Buttigieg, the thirty-eight-year-old former mayor of the small Midwestern city of South Bend, Indiana. Within a year of announcing his candidacy for the Democratic presidential nomination, Buttigieg had made history as, in his words, ‘the first openly gay candidate to win a stat ... (read more)
The store of knowledge available to humanity has never been so immense and accessible as it is today. Nor has it been so vulnerable to neglect or erasure. That, in essence, is the message of this book, written with urgency by the most senior executive at the Bodleian Libraries at Oxford, one of the largest and oldest library systems in the world.
In Burning the Books: A history of knowledge under ... (read more)
One of the most bizarre as well as unfortunate deaths in literary history occurred when the playwright Aeschylus was struck by a tortoise dropped on him by a bird. Bizarre, that is, if we don’t consider what the bird involved was doing, which was clever as well as practical. From the bird’s perspective, the tortoise was being dropped on a convenient stone rather than the bald head of a Greek t ... (read more)
At once extravagant and tightly wrapped, this novel reinforces the view that historical fiction says as much about the present and the future as it does about the past. At the level of history proper, Anouar Benmalek’s vision unites three continents that, in the second half of the nineteenth century, are subject to the depredations of European colonialism and domestic tyranny. At the human level ... (read more)
The story of art could be framed as a narrative of tension between the boundless creative imagination of artists and the practical limitations – including instability, scarcity, even toxicity – of their materials. As master paint-maker David Coles explains in this wonderful book, the vividness and permanence of artists’ colours have never been assured.
... (read more)
Like so many parents of great authors, the fathers of Oscar Wilde, W.B. Yeats, and James Joyce have much to answer for. Certainly, each man had a profound influence on his son’s literary career without for a moment being conscious of the literary consequences of his words and actions.
... (read more)