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Elizabeth Jolley

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Advances - March 2007

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March 2007, no. 289

A new prize for Miles Franklin

Miles Franklin turns fifty this year. Well, 128, to be strictly biographical. Three years after the death of Miles Franklin (1879–1954), the inaugural Miles Franklin Literary Award was inaugurated. This year, the judges have rather more money to present ($42,000) than they did in 1957, when Patrick White’s Voss won the Award.

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Fellow Passengers: Collected stories by Elizabeth Jolley

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December 1997–January 1998, no. 197
Cathrine Harboe-Ree reviews 'Fellow Passengers: Collected stories' by Elizabeth Jolley

Elizabeth Jolley is quoted in this volume saying that ‘Writing for me is a ragged and restless activity with scattered fragments to be pieced together rather like a patchwork quilt.’ To a degree this is an apt metaphor, suggesting as it does careful attention to the particular and the gradual accumulation of the discrete parts into a whole. It also suggests the contrast between light and dark that is the feature of many quilts and of Jolley’s writing. However, patchwork is altogether too domestic an activity to contain the driving intelligence and iconoclasm that are dominant elements in Jolley’ s work.

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The Newspaper of Claremont Street by Elizabeth Jolley

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May 1982, no. 40
Brian Dibble reviews 'The Newspaper of Claremont Street' by Elizabeth Jolley

Of Elizabeth Jolley’s first novel, Palomino (1980), Nancy Keesing said it ‘establishes Elizabeth Jolley as absolutely one of the best writers of fiction in this country’ (ABR, March 1981). Of The Newspaper of Claremont Street, Tom Shapcott said its ‘capacity to touch the very nerve centre of human fragility, of exposing the tragedy in human needs within the small comedy of existence, is something I have not seen done with such delicate balance and precision since the ‘Pnin’ stories of Vladimir Nabakov’ (Fremantle Arts Centre Broadsheet, January-February, 1982). Sally McInerney’s judgement of The Newspaper is that ‘this slight and disturbing novel sways between socio­political allegory (about work and non­human relations) and conventional storytelling, and the two elements work against each other’ (National Times, 17–23 January, 1982). I agree with Keesing and Shapcott, but can understand why McInerney might have come to her conclusion.

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Self Portrait

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November 1983, no. 56
‘Self Portrait’ by Elizabeth Jolley

When I was seventeen, I sold my doll and all her little frocks and coloured, knitted things. At the time I thought I ought to sell her, it seemed important to have some extra money. She was advertised for £1. It was near Christmas – a good time for selling. A woman came and I saw her alone with the doll in the front room where my mother had made a fire, as she did only on Christmas Day and other holidays.

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Episode #6: The 2016 ABR Elizabeth Jolley Short Story Prize ceremony

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The ABR Podcast

The 2016 Elizabeth Jolley Short Story Prize ceremony was held at the Melbourne Writers Festival on 27 August. The event was compèred by ABR Deputy Editor, Amy Baillieu, with opening remarks from poet and author Maxine Beneba Clarke.