Miriam Cosic
Miriam Cosic is a Sydney-based journalist and critic. She is the author of two books.
A rich vein of political writing runs through Australian fiction. From the early days of socialist realism, through the anti-colonialism of both black and white writers, to tough explorations of identity politics today, we have struggled with concepts of justice and equality since Federation.
The rejection of asylum seekers who arrive by a certain means of transport is the latest topic to galvani ... (read more)
It has been widely accepted that the harshness of the Treaty of Versailles led directly to the rise of National Socialism in Germany and to the horrors of World War II. The punitive effects on the German economy, the affront to German honour, and the unleashing of decadence and nihilism in its wake led to the appeal of extreme nationalism and the call for revenge.
From the end of World War I, pow ... (read more)
Certain themes suffuse Bernhard Schlink’s fiction: memory, mystery, secrets, guilt, shame. Schlink mixes them in various permutations and intensities, but they are ever present in novels that have vaulting philosophical ambition beneath their simple narratives.
... (read more)
It seems a particularly masculine take on the processes of art to examine the way rivalry spurs on creativity and conceptual development. Yet this is not the book the Boston Globe’s art critic, Sebastian Smee, has set out to write. ‘[The] idea of rivalry it presents is not the macho cliché of sworn enemies, bitter competitors, and stubborn grudge-holders slugging it out for artistic and world ... (read more)
There is a point of view that says we shouldn't humanise a tyrant such as Adolf Hitler since that reduces the symbolism, the power of his name as a synonym for pure evil, and can lead to excuses and to relativism. Another argument holds that we must understand the psychology and sociology of the individual's rise to power if we are to recognise, and prevent, such developments in the future. The fo ... (read more)
When Germaine Greer’s The Female Eunuch was published in 1970, it created a sensation. Within six months, it had almost sold out its second print run and had been translated into eight languages. Simone de Beauvoir’s The Second Sex, the influence of which critics see in Greer’s book, had come out in France in 1949. The Feminine Mystique, by American psychologist Betty Friedan, had been publi ... (read more)
In the current fad for omnibus histories of absolutely everything, designed to replace ancient metaphysics, perhaps, or answer some marketing brainwave, no one has succeeded in quite the way Christine Kenneally has. She approaches her task with a very specific enquiry: what is the interplay between genetics and human history? Searching for an answer, she uncovers worlds within worlds.
Kenneally b ... (read more)
Wilhelm II, German Kaiser and King of Prussia, may be a shadowy figure for Australian readers, better known as the butt of funny-scary caricatures in British World War I propaganda or of black humour in popular soldiers’ songs, than as a political player in his own right. He remains enigmatic even for scholars. Some hand him the burden of responsibility for World War I, despite the immediate tri ... (read more)
When I was a child, comparing the behaviour of two people in my circle was formative. One would turn out to help in any situation, from raking dirt on the local school oval in a working bee to stopping the car late at night to check on an old man hanging over the rail at a city tram stop. He never talked much about these actions, nor dramatised the recipients’ needs, beyond saying, if asked, tha ... (read more)