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Australian Poetry

High dungeon was a feeling I knew well
When mockery from men weighed on my soul.
As your Prime Minister I went through hell,
If I can say so without hyperbowl.

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I am building my roof of turf   my peaty sheath
a coveted blanket   roll me up in it and I go out
like a light   like the wisp rising at night
that country people swear they see and steer clear of

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William Carlos Williams is a genius. And he has my lover’s initials. Or rather my lover has his initials. I often eat the plums that were in the icebox. But I don’t expect to be forgiven. Not everything depends upon that. Or the wheelbarrow of promises that still lies at the bottom of his heart. My lover likes plums. The ones with the tough skins and the scarlet flesh. Not the yellow ... ... (read more)

Evan Jones’s Selected Poems is more than timely: its author was born in 1931. In an introduction (or ‘Personal Appreciation’), fellow Melbourne poet Alex Skovron complains that ‘Evan’s work has not always received the attention it deserves, especially in recent years’. It is worth pausing a moment to consider why this should be so.

Jones i ...

What’s on a judge’s mind? Litigants and advocates would love to know. Former judge Peter Heerey answers that question in his latest book, a compendium of writing over many years, covering a vast array of topics and in myriad forms.

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1.

Anywhere’s more homely
than this field day to mortality,
accumulating severances
that wrangle distance
like before and after’s rosary of rue.

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Exhibits of the Sun is Stephen Edgar’s tenth collection of poems. Born in 1951, he is now ripe for a major Collected Poems. With careful pruning of some lesser pieces, such a book will display the full range of his work, which marries virtuosic technique with powerful emotion and intellect.

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So, summoned by that call across the wide
And complicated city, pressed
And yet reluctant to arrive,
We found among the ranks of the distressed,

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Of all the books published in the United States last year, only three per cent were of foreign origin. This year is hardly likely to be any different. So it is something of a wonder that this considerable and imaginative collection of modern Australian poetry was produced in the unlikely setting of the University of Louisiana. Professors Jack Heflin and William Ryan, who direct the creative writing program there, have a longstanding interest in international literature, and John Kinsella was the natural, if not inevitable, choice as editor of this anthology, which, with 123 poets spread over almost 600 pages, is the most comprehensive collection of contemporary Australian poetry ever published in the United States.

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The Best 100 Poems of Gwen Harwood by Gwen Harwood, edited by John Harwood

by
December 2014, no. 367

In ‘Late Works’, the last poem in Black Inc.’s new selection of Gwen Harwood’s poetry, a dying poet, determined to pen her ‘late great’ poems, calls from her hospital bed for paper. The nurse, misunderstanding, brings toilet paper, much to the poet’s chagrin. It is a typical Harwood inversion ...

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