Judith Bishop
T/here
By Judith Bishop
This is not a place for candles, or the scent of red cedar
gathered on a hill to burn, or native plum, lit at night
to hold the urgent dead at bay: you won’t wake to hear
the click of brumbies’ hooves on a road that flows
to where the humans are, or blink to see the mob
jittering in the dawn air:
this is not a house
of language, in the first sense of the word, the one
in which it made the world, this is not a place of origin,
ground, or single source: this is not a road for drinking
in the middle of the night: you won’t see
the ink of fire moving night and day across
To touch death in this manner: if our fingertips could pierce
that airless element, the body
breathing calm within its envelope of gas …
Morning took me to the jetty.
I saw the moon jellyfish pulse toward the air:
as their edges broke that barrier, the briefest spark appeared.
We welcome entries in the third ABR Poetry Prize. In its short life, this competition has become one of the most prominent of its kind in the country. Poets have until December 15 to enter the prize, which is worth $2000. Up to six poems will be shortlisted in the March 2007 issue; the winner will be announced one month later. Full details appear on page 42. The entry form is also available on our website, or on request. The previous winners were Stephen Edgar and Judith Bishop. Advances was pleased to see that Judith Beveridge has included Edgar’s prize-winning poem ‘The Man on the Moon’ in The Best Australian Poetry 2006 (UQP) — one of eight poems in the anthology that were first published in ABR.
... (read more)Life without poetry is unimaginable to me. Yet my own sense of myself as a poet has always been somewhat intermittent; or, to put it another way, I keep straying then coming back to poetry, like a prodigal child who trusts she’ll be forgiven. Those times when I’m actively engaged in writing poetry have been interspersed with quite long stretches in which I nonetheless work with language on other fronts – studying for a PhD on speech rhythms in an Aboriginal language, learning a new language (Russian being the latest) and, more recently, working on a set of prose translations from the Swiss-born French poet Philippe Jaccottet. I find there’s a wonderful sense of release and revelation in being guided by another’s voice, especially a voice as fluent, emotive and original as Jaccottet’s. My day job as a linguist with a speech-technology firm means that I also deal on a daily basis with language data – at times, two to three languages at once. I find I am a ‘globalist’ when it comes to language, and also, therefore, to poetry. I am just in love with the fact that each language brings with it a new horizon of experience; and each good poem does the same in miniature.
... (read more)(Italian, c.17th; Kunsthistorisches Museum, Vienna)
Life breathes in this painting like a child
pretending not to be awake,
or a skink metamorphosed to a stone
but for the flutter in its flank.
You have to lean and listen for the heart
behind the shining paint,
the lips half-open, and the glittering eye.
Velvet of the night. A ba ...
ABR welcomes letters from our readers. Correspondents should note that letters may be edited. Letters and emails must reach us by the middle of the current month and must include a telephone number for verification.
... (read more)High, bright winter’s morning: the tenements’ bare tree-antlers clattering
on each corner and the stepping black spines smooth and glossy
as mirages; framed, the scene shines as if transported to a desert, and never
... (read more)ABR welcomes letters from our readers. Correspondents should note that letters may be edited. Letters and emails must reach us by the middle of the current month, and must include a telephone number for verification.
... (read more)ABR welcomes letters from our readers. Correspondents should note that letters may be edited. Letters and emails must reach us by the middle of the current month, and must include a telephone number for verification.
... (read more)