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Benjamin Chandler
Benjamin Chandler holds a PhD in Creative Writing and Fantasy. He writes Young Adult Fiction and has published academic work on popular culture, video game narrative theory, Japanese heroism, anime and manga, and Creative Writing pedagogy. Every now and then he teaches Creative Writing, English Literature, and Media Studies topics at the University of Adelaide and Flinders University.
Those familiar with the previous titles in Garth Nix’s The Keys to the Kingdom series will be expecting another carefully structured, action-filled adventure. They would be half right. In the seventh and final instalment, Lord Sunday, Nix has abandoned his familiar formula. The elements are all there – the seventh key, the seventh Trustee, the seventh fragment of the Will – but the meticulou ... (read more)
The premise of Justine Larbalestier’s Liar is inherently problematic. When your young narrator admits to being a compulsive liar, the whole narrative threatens to degenerate into a fail-safe ending – it was all just a dream! Substitute ‘lie’ for ‘dream’. Thankfully, Micah Wilkins’s narration is so seductive that readers will find themselves devouring this book in an attempt to piece ... (read more)
There is an unfortunate tendency in contemporary fantasy for plots to become elongated, ungainly and unmanageable, much like teenage boys. Thankfully, Garth Nix’s The Keys to the Kingdom series is an exception, perhaps because the protagonist, Arthur Penhaligon, is not yet a teenager himself.
... (read more)
Dystopias, apocalypses, and postapocalypses have been part of Young Adult literature long before ecological disaster became the prevalent social narrative. They give writers a chance to indulge the youthful desire to upset the table and start over, rather than partake in the tedious and often fruitless work of actual progress. Blowing stuff up is far more exciting than endless meetings or politica ... (read more)
The collapse of a bridge is the catalyst in Cassandra Austin’s All Fall Down, isolating the small town of Mululuk in true Australian gothic fashion. Janice, crossing the bridge to flee her husband Craig and reunite with former lover Shane – or maybe not – manages to survive the fall, waking from a coma weeks later with a head injury people aren’t sure she isn’t faking. Charlie prays over ... (read more)
The Silent Invasion, James Bradley’s first Young Adult novel and the first in a trilogy, begins in generic post-apocalyptic fashion. Humanity crowds into restricted safe zones, hiding from an intergalactic plague that infects living matter with the mysterious Change. Adolescent protagonist Callie’s younger sister Gracie is infected; to prevent her demise at the hands of Quarantine, Callie flee ... (read more)
With Emperor of the Eight Islands, Lian Hearn delves into the mythic past of the world she crafted so perfectly in the Tales of the Otori series (2002–07). It is a pleasure to read a writer in top form, and Hearn is at her best here, demonstrating her characteristic flair for uncluttered, elegant prose.
The Eight Islands are torn between two warring factions fighting over the emperor's throne. ... (read more)
Twenty years before Katniss Everdeen competed in The Hunger Games (2008) and dominated the post-apocalyptic landscape, Elspeth Gordie went to Obernewtyn (1987) in her own ruined world. She would grow from orphan outcast to rebel conspirator and community leader, overthrowing religious and secular powers and carrying a darker fate as the Seeker who must save the world from a second nuclear holocaus ... (read more)
The unnamed narrator of The Loud Earth lives the hermit life of the shunned. Her parents were murdered. She was acquitted of the crime, but small-town mentality condemns her nonetheless. She retires to a cabin in the mountains overlooking the town’s lake, and seems content to remain there until Hannah arrives at her door. Hannah, not of the town and thus not yet indoctrinated by the townsfolk in ... (read more)