Accessibility Tools
- Content scaling 100%
- Font size 100%
- Line height 100%
- Letter spacing 100%
Peter Rose
In 2001 Peter Rose became the Editor of Australian Book Review. Previously he was a publisher at Oxford University Press. He has published several books of poetry, an award-winning family memoir, Rose Boys, and two novels, the most recent being Roddy Parr (Fourth Estate, 2010). His latest poetry collections are Rag (Gazebo Books, 2023) and Attention, Please! (Pitt Street Poetry, February 2025). His extensive criticism appears in a variety of publication, including ABR. Rose writes and performs short absurdist plays with The Highly Strung Players.
The acoustics in the Elisabeth Murdoch Hall at the Melbourne Recital Centre are rightly celebrated. The hall offers shrewd and attentive musicians a rare kind of sonic ambience. We heard two further demonstrations of this last week, when the English pianist Paul Lewis returned to MRC with two more of his Schubert recitals (six sonatas in all) – superlative playing of the greatest finesse. Lewis, ... (read more)
‘It is tragic how few people ever “possess their souls” before they die … Most people are other people.
Their thoughts are someone else’s opinions, their lives a mimicry, their passions a quotation.’
Oscar Wilde, De Profundis
Spare me the black ties
Spare me t ... (read more)
Fifteen years ago, the new Rudd government announced the creation of the Prime Minister’s Literary Awards (PMLAs), to be administered by the Minister for the Arts. There were two prizes at the outset – fiction and non-fiction – each worth $100,000 – tax free to boot. Given the precarious incomes of most Australian writers, the prizes could not have been more welcome. Later, after some lobb ... (read more)
When Alessandro Manzoni died on 22 May 1873, it was an event of major significance in Italy. The poet, novelist, and philosopher – an early proponent of Italian unification – was a hero of the Risorgimento. His novel I promessi sposi (1827), with its appeal to Italian patriotism, was (and remains) one of the most famous Italian novels.
Giuseppe Verdi revered Manzoni and mourned him deeply. ... (read more)
That the boy depicted in Shannon Burns’s nightmarish memoir survived to write it at the age of forty reflects no credit on society or on those around him. His persistence seems remarkable, given the world he entered.
The boy is always referred to thus. Page after page, we learn the extent of his grievous upbringing. His parents – mismatched and poorly educated – stay together for the firs ... (read more)
There are times when the act of editorialising seems reckless, if not otiose. Any such column, written on 20 September, runs the dual risk of belatedness – or prematurity. So appalling were the events of 11 September, and so ominous their ramifications, no one can be confident of the likely international developments in coming weeks, days, or even hours. All we can do at ABR is to sympathise wit ... (read more)
Few opera composers were more prolific than Gaetano Donizetti, and 1833 proved to be no exception in his relatively short career, with four separate premières in as many cities, culminating in Lucrezia Borgia, first heard at La Scala on 26 December. That season ran for thirty-three performances. The opera went on to become a popular vehicle for prima donnas (some nearing the end of their careers) ... (read more)
The forbearance of those writers who entered the Australian Book Review and Reader’s Feast Short Story Competition has been as exemplary as their commitment to short fiction. I am pleased to be announce the shortlist:
Ian McFarlane: ‘A Balance of Probabilities’
Katarina Mahnic: ‘Flying Recipe’
B.E. Minifie: ‘There Has to be a Resemblance’
Carrie Tiffany: ‘Dr Darnell’s Cure ... (read more)
Whenever you hear a good performance of any one of at least half a dozen operas by Giuseppe Verdi, it’s tempting to think: this surely he can never have surpassed. Il Trovatore, from his fecund middle phase, is one such opera. But then one recalls La Traviata and Don Carlo and Otello – on the list goes – and simply marvels at the variety and richness of his oeuvre.
Trovatore followed Rigo ... (read more)