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Released every Thursday, the ABR podcast features our finest reviews, poetry, fiction, interviews, and commentary.
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This week on The ABR Podcast Geordie Williamson reviews Highway 13, a collection of short stories by Fiona McFarlane. Each story is concerned with murder, that ‘ultimate de-creative act’, and might be thought of as true crime, given the real-world familiarity of characters, places, plots. Geordie Williamson is a literary critic, editor and the author of The Burning Library: Our greatest novelists lost and found. Listen to Geordie Williamson’s ‘A chorus of souls: Fiona McFarlane’s discursive theodicy’, published in the September issue of ABR.
One of the hardest challenges for a novelist is to write a story for adults from the point of view of a child. In 1847, Charlotte Brontë set the bar high with Jane Eyre, the first novel to achieve this. The story ends when Jane is a woman but commences with the child Jane’s perspective. So effective for readers was Brontë’s ground-breaking feat that Charles Dickens decided to write Great Expectations in the voice of the child Pip, after just hearing about Jane Eyre, even before reading it.
... (read more)It has become a rite of passage for foreign correspondents returning home from a stint in China to pen a memoir recounting their experiences. All too often, the story begins with the said reporter crossing into mainland China at Lo Wu, having just spent time enjoying the bright lights of Hong Kong. Clearly, the Lo Wu railway station holds a certain allure for wandering Australian journalists.
... (read more)A new Susan Johnson novel is always a treat, partly because you get the sense that with each one she has set herself a specific creative challenge, and partly because she is such a fine writer. In From Where I Fell (Allen & Unwin, $32.99 pb, 338 pp), the epistolary novel, popular in the nineteenth century, has been updated, with the entire work in the form of emails. Nothing new in that, but what makes this different is that the contemporary problem of emailing someone unintentionally is followed through with that intellectually teasing ‘what if’ thread: what if the person you accidentally contacted was someone with whom you wanted to keep communicating? What if this person was someone to whom you could confess your most private thoughts? And what if this person never responded in a conventional manner?
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