You didn’t have to be Antony Green to know that by seven o’clock on election night things were looking very bad for Bill Shorten. The problem itself wasn’t complicated. While all the available polling suggested that Labor would gain support, the majority of booth results said that Labor was going backwards. Numbers were breaking for Scott Morrison, with the Liberal National Party driving a bulldozer through Queensland, while expected Labor gains in Melbourne remaining stubbornly out of reach. Echoes of Don’s Party were hard to ignore.

Bruce Pascoe’s Salt is a wonderfully eclectic collection of new works and earlier short fiction, literary non-fiction, and essays written over twenty years. Structured thematically across six themes – Country, Lament, Seawolves, Embrasure, Tracks, and Culture Lines – Salt moves between the past and the present with Pascoe’s distinctively poetic voice. Readers of Dark Emu (2014) and Convincing Ground (2007) will be familiar with the style and subject matter but will discover newly released or reworked gems.

The title speaks to memories and ghosts triggered by the smell of salt; its ability to clean, to render flesh and skin from bone, to preserve evidence, to signal cumulative impacts on Country. The prevalence of salt speaks to the power and closeness of sea Country and our dwindling salty river systems, increasingly threatened by human intervention. Pascoe’s characters are richly drawn from this salted earth and exposed to the light and the elements. Whether presented as fiction or the voices of shared histories, his characters are grounded within the seasons and Country. So, too, in Pascoe’s view, are their possibilities of reviving this salted earth through heeding Indigenous knowledge and experience.

When invited by Morry Schwartz, Anna’s husband and proprietor of Schwartz Publishing, which owns Black Inc., to write an account of the Anna Schwartz Gallery (ASG), Doug Hall initially declined but changed his mind after realising that it would enable him to write with a fresh perspective, having returned to Melbourne after twenty years as director of Queensland Art Gallery. The result, Present Tense: Anna Schwartz Gallery and thirty-five years of contemporary Australian art – which takes its title from the 52nd Venice Biennale (2007), Think with the Senses – Feel with the Mind: Art in the Present Tense, curated by Robert Storr – is a periphrastic straddling of art history, social history, and biography, inclined to reminiscence over analysis.

Featuring eighty-nine chapters of varying length, the text mostly provides overviews of the artists represented by ASG, set within a chronicle of Anna Schwartz’s evolution as a gallerist. This broad narration is interspersed with chapters on a few key late-twentieth-century art dealers – sometimes to narrate artist defections to ASG – as well as state museum redesigns, biennales, and even a chapter on Anna’s wardrobe.

Barely a decade ago, Australia was in the middle of much excitement about the Asian Century. Today, those heady days seem a distant memory. A growing number of pundits see the north as troubled by dangerous flashpoints and great power rivalries. On top of that is an America apparently in strategic retreat from the region ...

The inciting incident in Josephine Rowe’s short story ‘Glisk’ (winner of the 2016 Jolley Prize) unpacks in an instant. A dog emerges from the scrub and a ute veers into oncoming traffic. A sedan carrying a mother and two kids swerves into the safety barrier, corroded by the salt air, and disappears over a sandstone bluff ...

Domestic violence and rape are not easy topics to write or read about. It’s not just because of the subject matter itself, as grim and distressing as the details can be. The writer must grapple with centuries of cultural baggage, competing theorisations and research paradigms, and the politicisation of these issues, for better or worse ...

The late historian Patrick Wolfe did not pull any punches when he wrote that colonialism seeks to eliminate and replace the Indigenous cultures holding sovereignty over the lands and resources that colonisers wish to claim ...