Ghost Wife is a timely text, given the recent debates about same-sex marriage. Michelle Dicinoski writes about travelling to Canada in 2005 to marry her girlfriend, Heather.

Figures released by the International Monetary Fund on 16 August 2010 revealed that China had overtaken Japan to become the world’s second-largest economy. Within a generation it had gone from being an isolated society that could barely feed its own people to the largest producer of steel and concrete on the planet, a vital link in global production chains and, since 2008, the most important engine for global economic growth.

When BHP Billiton announced last month that it would indefinitely shelve its proposed Olympic Dam expansion in South Australia, some said it signalled the symbolic end of the mining investment boom. South Australian Premier Jay Weatherill’s reaction was particularly revealing. With his government now staring into a $1 billion black hole, Weatherill declared that he and the community had lost trust in BHP, and that the decision was a ‘major disappointment’. Many of Weatherill’s critics have suggested that his response betrayed his party’s zeal for the mining project, to the detriment of other sectors, with the sole aim of bolstering the state’s beleaguered economy. Putting ‘trust’ and ‘mining companies’ in the same sentence may be nothing more than political aikido. After all, given the tumescent economic growth that has come from the commodities rush, Weatherill’s reaction is predictable. Yet one can’t help but feel that his trust is misplaced.

‘Rather like a consummate storyteller, Mozart knows how to keep us close to the edge of our seats,’ says Andrew Ford, composer, broadcaster, andauthor of this collection of illuminating essays on musical themes assembled from his talks, articles, and scripts for the radio series Music and Fashion. Like Mozart, two of Ford’s strengths are his compelling voice and his capacity to keep the reader enthralled. The down-to-earth title signposts something different, something digestible and fun to read.

Weary of the standard Hollywood pap, Samuel Goldwyn reportedly told his writers, ‘Let’s have some new clichés.’ In Reframe: How to Solve the World’s Trickiest Problems, his first book, Eric Knight sets about recasting corporate culture’s platitude to ‘think outside the box’.

In 1984 Carole Vance edited an important book on female sexuality entitled Pleasure and Danger.Those terms could well have provided a subtitle for Frank Bongiorno’s thorough and engaging history of sex in Australia. ‘Sexuality,’ wrote Vance, ‘is simultaneously a domain of restriction, repression and danger, as well as a domain of exploration, pleasure and agency.’ To which she might have added a domain of increasing surveillance, another theme that runs through Bongiorno’s book. From fears of unwanted pregnancy and the dangers of botched abortion, to herpes and HIV, sex has always carried threats to health and safety. At the same time, it is an arena of pleasure, even though much religious and ideological pressure has been applied to restrict and constrain the possibilities that people might find in full expression of their sexual potential. Even in the comparatively liberated 1920s: ‘Public debate about sex in Australia stressed dangers and pitfalls and gave less attention to sex as a source of pleasure.’

Peter Robb, in this collection of some of his journalism, quotes E.M. Forster’s remark about Constantine Cavafy: that he lived ‘absolutely motionless at a slight angle to the universe’. That line is half true of Robb’s subjects in this book. They have a way of existing at an angle to the universe, but they are not at all motionless. The lives in this book have trajectories and velocities that bring out an equal dynamism in the man who recounts them, as could well be imagined by anyone who has read his earlier work about Italy and Brazil (2004) or his biography of Caravaggio (1998).

At some stage in every workshop on the art of memoir somebody raises the question of ethics, of privacy, and of who has the right to tell a version of a story. How far, the author of Reaching One Thousand asks, is she prepared to ‘sacrifice other people’s privacy’? What betrayals will she ‘perpetrate on others’?

David Marr is not on the list of Australian living treasures, but perhaps he should be. Among our best journalists, he stands out as someone who has consistently challenged the powerful, at his best with forensic skill and deep research. Like other journalist–authors such as Anne Summers and George Megalogenis ...

Simon Leys is the pen name of the distinguished academic Pierre Ryckmans, who came to notice, first as a sinologist, then as a critic and author. The essays in this collection, composed over more than three decades during which Ryckmans held appointments at the Australian National University and the University of Sydney, cover a wide range of subjects ...