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MTC Cronin
The ABR Podcast
Released every Thursday, the ABR podcast features our finest reviews, poetry, fiction, interviews, and commentary.
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The red thread: Xi Jinping’s ideology of power
by Neil Thomas
This week on The ABR Podcast, Neil Thomas reviews On Xi Jinping: How Xi’s Marxist Nationalism is shaping China and the world by Kevin Rudd. Thomas explains that even China watchers find it hard to be clear on the thoughts and plans of the leader of the Chinese Communist Party. They disagree, he tells us, on basic, critical questions, such as for how long Xi will rule. ‘Enter Kevin Rudd’, Thomas writes. ‘In his latest book, former prime minister Kevin Rudd adds a worthy new chapter to his life of public service, digesting thousands of pages of “Xi Jinping Thought” so that you do not have to’. Neil Thomas is a Fellow on Chinese Politics at Asia Society Policy Institute’s Center for China Analysis in Washington DC. Here is Neil Thomas with 'The red thread: Xi Jinping's ideology of power' by Neil Thomas, published in the December issue of ABR.
Recent episodes:
Luke Beesley reviews three new poetry collections by MTC Cronin, Jordie Albiston, and Michael Farrell
If I were to make gauche generalisations about the poetics of MTC Cronin, Jordie Albiston, and Michael Farrell, I might respectively write conceptual, technical, and experimental. But these established poets – each in their fifties, highly regarded – display fluency with all these descriptors, especially in their latest books.
... (read more)States of Poetry 2016 QLD Podcast | 'Little Track', 'The Grass is Full', and 'The Correct Way' by MTC Cronin
In this episode of Australian Book Review's States of Poetry podcast, MTC Cronin reads 'Little Track', 'The Grass is Full', and 'The Correct Way' which feature in the 2016 QLD anthology.
... (read more)States of Poetry 2016 QLD Podcast | 'Above Us' and 'The World's Yard' by MTC Cronin
In this episode of Australian Book Review's States of Poetry podcast, MTC Cronin reads 'Above Us' and 'The World's Yard' which feature in the 2016 QLD anthology.
... (read more)Right at the back of the world's yard I am sitting. I have nothing.
I had a stone but lent it to the poet to put in his shoe. No sooner
did he turn into a slim golden feather that flew straight to the
sun that fed the snakes new skins. It could as easily have
resulted in ripe figs resting in baskets or unruly persimmon
trees twirling in fogged mountains. Regardless ...
Time falls out
of your house
and onto a slab
of lucerne which
the cows eat as
they wander away
from the orchard's
long flowing hour.
Sweet and full
of wild honey
is the flower
is the bird.
Part of your love
is timeless enough
says the little track
left by ants.
Moon is a paper lamp
burning all night.
The grass
is full of shadows.
Hardly room in here
with the cupboard's coat.
Small broken windows
open dream's row.
The wild birds
all leave my mind at once –
mouth banging shut
in the dark.
'The grass is full
of blue free stars.'
The universe jus ...
Above us we hear the windmill yelping, circling like a trapped
dog while the house sits like a black skull on the hill. Above us
the tombs are rising from their rest and travelling along the
roads beneath trees turning sourly. Above us the wind flings
uncountable seed into the dignified light tossed through the
depths by a green moon rolling over and over in the sh ...
The correct way to drink from a broken cup.
To welcome both dark and light into your house.
To imagine tomorrow.
To pick verbena and red clover.
On the path where nothing will grow.
The correct way to tend the frozen.
To take their sweet throats and swim down into their livers.
To disembowel without touching.
To do what is at stake.
To move from c ...
Peter Kenneally reviews 'The Law of Poetry' by MTC Cronin, 'The Ladder' by Simon West, 'Jam Sticky Vision' by Luke Beesley, 'Immune Systems' by Andy Jackson, and 'The Hour of Silvered Mullet' by Jean Kent
With her first book, Zoetrope, in 1995, MTC Cronin announced herself as a very particular force in Australian poetry. It was not just that her début was so much more immediately arresting than most poets' first outings, but also that it had real authority. This authority, coming from force of intellect and a kind of absolutist, almost inscribed imagination ...