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Michelle Cahill

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The ABR Podcast 

Released every Thursday, the ABR podcast features our finest reviews, poetry, fiction, interviews, and commentary.

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Bornstein

Feeding the beast: On corporate cancel culture

by Josh Bornstein

This week on The ABR Podcast, Josh Bornstein discusses corporate cancel culture. Bornstein argues that ‘Companies now routinely censor their employees far more repressively than any liberal democratic government does’. Josh Bornstein is an award-winning workplace lawyer and writer. His first book, Working for the Brand: How corporations are destroying free speech was recently published by Scribe. Listen to Josh Bornstein’s ‘Feeding the beast: On corporate cancel culture’, published in the November issues of ABR.

 

Recent episodes:

Peter Porter Poetry Prize Shortlist 2023

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The ABR Podcast
Peter Porter

In this week’s Podcast we’re delighted to present the five poems shortlisted in the 2023 Peter Porter Poetry Prize. This happily alliterative prize was created in 2005 and renamed in 2011, the year after the great poet’s death. Peter Rose introduces our far-flung quintet, who then introduce and read their poems. Further details and illuminating comments on the individual poems by the judges can be found here. We hope you enjoy these wonderful poems. It’s a great way to get to know them before the prize ceremony on Thursday, 19 January.

... (read more)

The 2023 Shortlist

by Australian Book Review •
January-February 2023, no. 450
2023 Peter Porter Poetry Prize Shortlist

Read the five shortlisted poems for ABR's 2023 Peter Porter Poetry Prize.

... (read more)

Daisy & Woolf by Michelle Cahill

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July 2022, no. 444
Diane Stubbings reviews 'Daisy & Woolf' by Michelle Cahill

Daisy Simmons – twenty-four years old, the wife of a major in the Indian Army, mother of two children, ‘dark [and] adorably pretty’ – is an ephemeral presence in Virginia Woolf’s fourth novel, Mrs Dalloway (1925). Clarissa Dalloway’s former lover, Peter Walsh, has travelled to London from India to secure a divorce so that he might marry Daisy. From a mere handful of references, we are able to glean the wavering nature of Peter’s devotion to Daisy and his suspicion that she will, as Woolf writes, ‘look ordinary beside Clarissa’.

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Snake Like Charms by Amanda Joy & The Herring Lass by Michelle Cahill

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June-July 2017, no. 392
Rose Lucas reviews 'Snake Like Charms' by Amanda Joy and 'The Herring Lass' by Michelle Cahill

Michelle Cahill and Amanda Joy have produced two engaging and proficient collections of poetry. In their different ways, each revels in worlds of perception, imagination, and poetic craft.

Amanda Joy’s first full-length collection, Snake Like Charms comes out of UWAP’s new poetry series and marks the emergence of an important voice in Australian ...

Letter to Pessoa & Other Short Fictions by Michelle Cahill

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December 2016, no. 387
Fiona Hile reviews 'Letter to Pessoa & Other Short Fictions' by Michelle Cahill

You can tell a lot about a piece of writing from how it begins. For American poet Billy Collins, ‘the first line is the DNA of the poem’. With novels, as J.M. Coetzee writes ...

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News from the Editor's desk - October 2015

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October 2015, no. 375

Environmental times

For the second year in a row, generous support from the Bjarne K. Dahl Trust

Jolley Prize 2015 (Shortlist): 'Borges and I' by Michelle Cahill

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September 2015, no. 374

I trace my encounters with time travel to perdurantism and poetry. In the spring of 1981, I was appointed by the National Institute of Standards and Technology in Colorado to probe a wormhole, an undertaking of ambitious design which would allow information to travel faster than the speed of light. As the universe was changing, the preparations were endless. O ...

Contemporary Asian Australian Poets edited by Adam Aitken, Kim Cheng Boey, and Michelle Cahill

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December 2013–January 2014, no. 357
John Kinsella reviews 'Contemporary Asian Australian Poets' edited by Adam Aitken, Kim Cheng Boey, and Michelle Cahill

This is one of the more vital and significant poetry anthologies to appear in Australia. It has been compiled with a purpose as sophisticated and complex as the arguments for existence that it posits. It is an anthology not so much of ‘region’ (it is a rather massive one), as of the experience of being or having been from Asian heritages in contemporary Australia.

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'The Dying Art', a new poem by Michelle Cahill

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September 2013, no. 354

Afterwards, Jiah Khan slung her red silk dupatta
from a ceiling joist in her Juhu beach apartment,
my viral-stricken buck rattled to sleep curled by
my bed, and I woke to the cold body of silence –

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Vishvarūpa by Michelle Cahill

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April 2012, no. 340
Mark Treddinick reviews 'Vishvarūpa' by Michelle Cahill

Vishvarūpa, Michelle Cahill’s second collection, is a convocation of untouchables and deities – unbelieving, irreverent, and sardonic – each a proxy for an aspect of the poet’s (post-colonial) self; each a stand-in, even, for a moment in every human life.

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