Seen through one window, Paul Hetherington’s Six Different Windows appears to be a collection of poems concerned with the death of art. Such a theme is perhaps not surprising given that Hetherington, in addition to his seven books of poems, edited three volumes of Donald Friend’s diaries for the National Library of Australia, the last of which was shortlisted for a Manning Clark House National Cultural Award in 2006.

The variety of Australian poetry is attested to by books such as Another Fine Morning in Paradise. Neither entirely fish nor fowl, it is by turns satirical, watchful, effusive, and lyrical. Its central preoccupation is with a sharp-eyed scrutiny of what might be called the-idea-of-a-better-life ...

Fuel is Andrew Sant’s eleventh poetry collection. His previous volume was Speed & Other Liberties (2008), which included some of the new poems from Tremors: New & Selected Poems (2004), along with additional work. The epigraph to Speed & Other Liberties is Marc Bloch’s statement that ‘Contemporary civilisation differs in one particularly distinctive feature from those which preceded it: speed’. So, the titles of Sant’s last two volumes imply movement, power, freedom and forward thrust. Certainly, some of the poems in Fuel move at least as fluidly as the often fast-paced poems in Speed, impelled by a rapid accumulation of ideas and associations.

History of the Day is Stephen Edgar’s seventh poetry collection. His first was Queuing for the Mudd Club in 1985, and over the last twenty-four years he has been publishing poetry with a strikingly individual formal music. This latest volume further refines his superbly measured control of rhythm and cadence. There is nothing else like it in contemporary Australian poetry.