Photography has held humanity in its thrall since its nascent years. Celebrated and contested, the photograph is said to have inherent power, making it both a vital, and also dangerous, medium. This exceptional and ambitious new exhibition at the NGV, Photography: Real and Imagined, illuminates why we have an unwavering fascination.

I find myself going to view Nan Goldin’s legendary series of photographs, The Ballad of Sexual Dependency, with trepidation. Lying at the heart of these works is a renowned image, Nan after being battered, 1984. Taken by her friend, Suzanne Fletcher, it shows a youthful Goldin with big 1980s hair, dangling silver earrings, a necklace of pale beads. She gazes into the camera, her left eye swollen and bloodshot, her right eye framed by a half-healed bruise.

This week, on the ABR Podcast, we look at a major exhibition at the Art Gallery of South Australia, ‘Andy Warhol and Photography: A Social Media’. Ten years in the making, ‘Andy Warhol and Photography’ demonstrates the multiple ways in which Warhol’s aesthetic anticipated the social-media world we live in today, perhaps even helping give rise to it. Patrick Flanery is a novelist and Chair of Creative Writing at the University of Adelaide.

Max Dupain, one of Australia’s most accomplished photographers, was filled with self-doubt. He told us so – repeatedly – in public commentary, especially during the 1980s, in the last years of his life. It is striking how candid he was, how personal, verging on the confessional, and how little attention we paid to what he said, either during his lifetime or since (he died in 1992, aged eighty-one).

Roger Ballen’s art is not for the faint hearted; it is confronting, haunting, and at times repellent. It is also fascinating, brilliant, and jaw-dropping. These images seethe with malodorous discontent, menace, and psychosis. The best way to experience his photographs is to surrender and resist the desire to read the images literally ...