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Rachel Perkins

The ABR Podcast 

Released every Thursday, the ABR podcast features our finest reviews, poetry, fiction, interviews, and commentary.

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Neil Thomas

The red thread: Xi Jinping’s ideology of power

by Neil Thomas

This week on The ABR Podcast, Neil Thomas reviews On Xi Jinping: How Xi’s Marxist Nationalism is shaping China and the world by Kevin Rudd. Thomas explains that even China watchers find it hard to be clear on the thoughts and plans of the leader of the Chinese Communist Party. They disagree, he tells us, on basic, critical questions, such as for how long Xi will rule. ‘Enter Kevin Rudd’, Thomas writes. ‘In his latest book, former prime minister Kevin Rudd adds a worthy new chapter to his life of public service, digesting thousands of pages of “Xi Jinping Thought” so that you do not have to’. Neil Thomas is a Fellow on Chinese Politics at Asia Society Policy Institute’s Center for China Analysis in Washington DC. Here is Neil Thomas with 'The red thread: Xi Jinping's ideology of power' by Neil Thomas, published in the December issue of ABR.

 

Recent episodes:


This week’s ABR Podcast features Anne Rutherford’s review of the new SBS miniseries The Australian Wars, published in the November issue of ABR. Directed by Arrernte and Kalkadoon woman Rachel Perkins, the series is an attempt to recast Australian frontier conflict by posing new questions. Echoing Perkins, Rutherford asks: ‘Why is the extreme violence of the frontier not recognised as war?’ and ‘Why is the death of an estimated 100,000 people on the frontier, both black and white, not acknowledged and memorialised?’ Listen to the ABR Podcast here.

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The Australian Wars 

SBS
by
26 September 2022

At a pivotal moment in the new SBS miniseries The Australian Wars, director and presenter Rachel Perkins takes us to a place she says is ‘etched in the memory of my family. A place called Blackfellas Bones.’ Perkins turns to talk directly to camera: ‘You know, we turn away from things that we don’t want to see. We all do it. And I admit that I actually didn’t really want to make this documentary series because I knew that I’d have to spend years going through the horror of it. But … making this film has led me to this place … a place where many members of my family were killed. But my great grandmother survived to tell the story.’

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