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States of Poetry Poems

The ABR Podcast 

Released every Thursday, the ABR podcast features our finest reviews, poetry, fiction, interviews, and commentary.

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Hazzard Harrower

Episode #191

‘Flies in the Nirvana’: An illuminating and sisterly correspondence

By Peter Rose

 

 

In this week’s ABR Podcast, Peter Rose reviews Hazzard and Harrower: The letters, edited by Brigitta Olubas and Susan Wyndham. The correspondence between writers Shirley Hazzard and Elizabeth Harrower ran from 1966 to 2008 and, in its unedited form, amounted to 400,000 words. Editors Susan Wyndham Brigitta Olubas have trimmed it down: ‘For the time being,’ says Peter Rose, ‘we must make do with this entertaining and not insubstantial entrée.’ Listen to Peter Rose’s ‘Flies in the Nirvana’: An illuminating and sisterly correspondence’, published in the June issue of ABR.

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‘The things they carried were largely determined by necessity.’
Tim O’Brien

The beeping of horns, the relentless waves of scooters –
a whine that spirals to a high-pitched roar
scooting down alleys and footpaths
flowing like oil around taxis, through roundabouts
across bridges. Nob ...

Cracks in the clay, locusts flittering over bleached stalks
old couches in the herringbone, ribbons of bird shit down the walls.

She married into the district, thin as a whisper
a woman who was summoned to the front rows at Mass.

Each day the wind passes, paddocks of rye grass sway.
She smiled through luncheons, gatherings

made the small talk that fertilis ...

In memory of Max Richards

Somehow you found the articles and poems
I needed to read.
Your key word searches driven by connection,
of passing it on.
Whether it be through the nodes of ADSL2
or the poetry of Heaney, Murray, or MacFarlane’s
nature writing,
whether you be in Doncaster or Seattle
or your shelves of books and manilla folders< ...

Lights over the rail yards are sparklers
that never die down. Every day
is a drug test day. All that’s left at Ford
is the security lights, shadows on the pedestrian overpass.
George Pell is refusing to leave Roma
where girls were once named after their fathers
who could, if so desired, sell them at fourteen
into slavery. George is cantank ...

 I remember you as you were, polished and dismissive
now sawdust and spangles lie on cedar.
‘Insufficient funds’ responds to my favoured transaction
at the checkout’s dystopia, a green-haired maenad slices the machine.
You saw in the eyes the future going awa ...

First

That I have written, of places I have not been. To Carthage I came, where there sang around me in my ears a cauldron of unholy loves. And in the vast courts of memory, the caverns  of the mind. I have heard great waves upon the shore, I have remembered what it is. In other ears: the scaling of heights. These circuits of stars, compass and pass by. ...

– if that indeed can be called composition –
wrote Coleridge –
in which the images rose up before him as things –

‘In the summer of the year – the Author, then in ill health, had
retired to a lonely farmhouse – ’
where, seated in his illeism by a window, the Author passed
into the background of his imagery –
     ...

                                       – is made of windows
side by side and repeating the way two mirrors
face to face cut halls of light
back through their emptiness – Its façade,

Stone eidolon at the end of a walled-in colonnade –
               She was born from the sea, light
               off the foam of the sea –

               [Alex] ...

Storm water piped under the cutting comes out here,
unfolding down under the surface of itself, bluish oil-haze
clotted with seeds and insects – where down the gully
dank onion weed tracks the secret paths of water – Late winter,
black cockatoos scrap and cry in the Monterey pines
which bank the gully’s side – The water flows to a standing pool
out th ...