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States of Poetry 2016

The ABR Podcast 

Released every Thursday, the ABR podcast features our finest reviews, poetry, fiction, interviews, and commentary.

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Hazzard Harrower

Episode #191

‘Flies in the Nirvana’: An illuminating and sisterly correspondence

By Peter Rose

 

 

In this week’s ABR Podcast, Peter Rose reviews Hazzard and Harrower: The letters, edited by Brigitta Olubas and Susan Wyndham. The correspondence between writers Shirley Hazzard and Elizabeth Harrower ran from 1966 to 2008 and, in its unedited form, amounted to 400,000 words. Editors Susan Wyndham Brigitta Olubas have trimmed it down: ‘For the time being,’ says Peter Rose, ‘we must make do with this entertaining and not insubstantial entrée.’ Listen to Peter Rose’s ‘Flies in the Nirvana’: An illuminating and sisterly correspondence’, published in the June issue of ABR.

Recent episodes:


Woman in Bath

 after Brett Whiteley’s Woman in Bath (1964)

 

There was fog on the windows,
inside and out.
She wound her hair into a bun
and eased into the shallow water.
I stood in the doorway, squinting.
                  &n ...

Reply from the Women of Tangier

 

after Brett Whiteley’s The Majestic Hotel, Tangier (1967)

 

So secretly together do we wear
our separateness, we’re so complete
he gives us the white stare.

Easy to see decay and disrepair
in the spittle and hashish-ruined streets.
But secretly together we all wear

our ...

Green Mountain (Fiji)

 

after Brett Whiteley’s The Green Mountain (Fiji) (1969)

 

The skyward pitch of the hill in its green glory
rising heavy and indolent as the knee of a woman
sunbathing in a sarong,
and the thigh that leads from this knee,
an emerald downswelling syncline,
end where the womb’s elasti ...

Window

 

What is the mind that would invent the lock?
What are the pathways of the brain
that must be followed with no ball of string
to arrive at a device
which excludes? Why would you start?

If this slab of the earth
was where you had always been,
there would be no entry point,
no threshold of distrust, only the base
a ...

Waking

 

Note the passive voice in that last line,
the denial implied. ‘People were shipped out.’
The agent with a conscious brain linked
to a hand with a pen or a gun felt his own grip
all along the neural pathways.

Some noises we can sleep through
but even the softest can be an alarm.
Sailboats in the calmest water are still not ...

Theft

 

The maps that teased my childhood were silent.
The imagination they cosseted
was of no use. Instead of song
there was a flatness, a sheet of pastel shades.
I could find Peru, but not food.

And these maps were my inheritance.
Maps can be owned. Land is something else.
Maps can be stolen. When the atlas claps shut
those who ...

On the Mountain

 

Here where clouds soothe rocks, high above commerce,
I could catalogue the sharper images
of evil but to what use? City tabloids
and browsers will unroll bandages
enough to wrap communal wounds.

The bardic robe sits ill. The mist suggests
the insubstantiality of wish.
Summon a future like some old romantic,
some ...

Attack

 

And it is the act, the will
channeled through fibre to impact;
this is history as king hit.
Imagine your own bedroom as nullius,
adding extra dizziness to any fall.

If pain, as is said, cannot be remembered,
only the having been hurt,
then where does the pain belong
that comes out of the blue ocean
into a v ...

kangaroo grass

 

ramayana puppet
                     angled, spare

you gesture with sharp fingers
                    beckoning insistent

eloqu ...

Adrian Caesar was born and educated in England, but has lived and worked in Australia for more than thirty years. ... (read more)