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Released every Thursday, the ABR podcast features our finest reviews, poetry, fiction, interviews, and commentary.
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This week on The ABR Podcast, Marilyn Lake reviews The Art of Power: My story as America’s first woman Speaker of the House by Nancy Pelosi. The Art of Power, explains Lake, tells how Pelosi, ‘a mother of five and a housewife from California’, became the first woman Speaker of the United States House of Representatives. Marilyn Lake is a Professorial Fellow at the University of Melbourne. Listen to Marilyn Lake’s ‘Where is Nancy?’ Paradoxes in the pursuit of freedom’, published in the November issue of ABR.
perched, slack-strung,
on the dark wooden sideboard
of your Palermitan apartment
opposite the cathedral,
a gift you didn’t yet know
how to tune, let alone play.
Your guests ignored it,
heading straight for the plates
of cheese, olives, bread,
and wine in plastic flagons
from the market, music
flow ...
Stories, whispery voice
Mooda-Gutta!
Warning sign, stampede horse.
Mooda-Gutta!
Water spout ... sounds like petrol on fire –
Don’t cross there! Mooda-Gutta
Don’t say it aloud,
Whisper ‘Mooda-Gutta’.
Paul Collis
...(for Satendra)
What happened to me
What did I do to deserve that?
I don’t want to be old person.
I’m buggered now, poor fulla me, done, old, like dust.
I should go to doctor, and ask him a question.
He said, ‘Only thing worse than getting old, is not.’
Wise man, Doctor. He’s like light. His eyes know. They see into me ...
Yo!
Whitefullas got no cult-charr!
– Only me
With my arm fulla tatts, up my sleeve.
– Only Us Mob!
Only us
Got cult-charr.
Don’t tell me! I lived it, man. Us bruvas, we live it –
Everyday man. We fuken live it.
Blak and Proud. Deadly, un’a?
Always was
Always will be
ABORIGINAL LAND.
Colonisation i ...
I see you stand with your back to me
at the French window as you did last March
looking at early flowers
yellow and crimson, pansy and primrose
peeping from their crust of snow and
above them the steel-sculpted angel
rearing from a wooden plinth: guardian
of the courtyard. In those bleak days I knew
you were reading the cemetery metaphor
of your blig ...
Without bucket or spade we build
the sandcastle, dragging and gathering
piling and patting our little Camelot.
I excavate a moat, shape a drawbridge,
a sloping road leading to the keep,
while you look for shells to decorate
the edifice, or so I thought, the way we'd
done last holiday some months ago.
But this time you have another purpose:
instead of ...
(For my grand-daughter)
Coming in with stones from the garden
your first impulse is to make them shine.
Washing rocks, you call it, and give them
full treatment, soap and flannel and rinse,
your three year old hands and eyes intent,
absorbed, and this not a one-off game;
it becomes a favourite as if
to establish your own ritual
y ...
messenger
I mother a scorching fence
I mother a child against a fence
and the cry
here come the shellshocked to arm the day
here come collectors for the shells
amber cry
nest-thief
seed-eye
in decades past a series of dykes was known as the venice
of the floods themselves, with a sweet sap
once the prey has entered the trap
the leaf closes, and within about 30 seconds
a senior minister has touched
two or three trigger hairs,
bristles on the distinction between
private beliefs and public morality,
his bottomline.
about two weeks ...
for TAW
(from 'Paintings')
This black dress
is also a painting –
it hangs on a wall
where light holds it close.
It's a doorway to places
no-one quite knows;
that bloom and rain
with extravagant vistas.
We've sometimes entered
into the painting
dipping dark hats,
watching children
riding down lanes