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Susan Ryan

The ABR Podcast 

Released every Thursday, the ABR podcast features our finest reviews, poetry, fiction, interviews, and commentary.

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Lake Pelosi

‘Where is Nancy?’ Paradoxes in the pursuit of freedom

by Marilyn Lake

This week on The ABR Podcast, Marilyn Lake reviews The Art of Power: My story as America’s first woman Speaker of the House by Nancy Pelosi. The Art of Power, explains Lake, tells how Pelosi, ‘a mother of five and a housewife from California’, became the first woman Speaker of the United States House of Representatives. Marilyn Lake is a Professorial Fellow at the University of Melbourne. Listen to Marilyn Lake’s ‘Where is Nancy?’ Paradoxes in the pursuit of freedom’, published in the November issue of ABR.

 

Recent episodes:


In today's episode, Joshua Black reads his tribute to former Labor senator Susan Ryan, featured in our November issue. Ryan was a historic figure in Australian politics: she was the first woman from the ALP to serve in cabinet, and cemented her legacy with the Sex Discrimination Act (1984) – which prohibited sexual discrimination in the workplace. Here, Black recounts his interview with the pioneering politician only weeks before her death on 27 September 2020.

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Susan Ryan was a formidable storyteller. Her stories communicated her values and her world view, her commitment to the pursuit of a more egalitarian society. Hers was a powerful form of communication, capable of questioning and challenging the inadequacies of the masculinist, class-exclusive ‘fair go’ of postwar Australian society.

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This is a fascinating, inspiring and disquieting book. It is fascinating because it succeeds so well in its comprehensive overview of policy making and policy intentions during the Hawke government (1983–91). That success derives from the unparalleled mix of insiders (former ministers, public servants, leaders of unions and NGOs), journalists and academic analysts, though the voice that is notably absent is that of business. Inspiration comes when one can see, beyond the obsession with pragmatism and economic reform, glimpses of a genuine ‘third way’ in the development of social capital. Disquiet arises because so many of the contributors fail to see how they created the social malaise that dogged the final years of the Labor government, and how, in abandoning the ‘old’ ideologies, they prepared the ground for the profoundly ideological and destructive government that would follow.

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I am a Boat by Sally Morrison

by
May 1989, no. 110

Collections of new Australian short stories by a single author have become a regular feature of Australian literary publishing in recent years. They are a welcome addition to the range of new writing available to the reading public. Collections that have unity of style, are thematically coherent and present a linked set of perceptions from the one creative source offer the reader much more than a light or fragmentary experience. Instead of the sustained characterisation of the novel, they can achieve a dazzling variety of episodes and mood. Robert Drewe’s Body Surfers and Helen Garner’s Postcards from Surfers are outstanding examples of how good the best collections of stories can be. It was a great delight to pick up I am a Boat by Sally Morrison and find that, although it is only her second book, in style, originality and literary quality, Morrison is fast approaching the Drewe and Garner class.

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