In a 2017 essay for the Guardian, author Charlotte Wood spoke about the shame artists often feel when they discover a distinguishing characteristic in their work, something that separates them from their cohort. ‘In the beginning, and for a long time, an artist can be most embarrassed by the very thing – sometimes the only ...

A Scandal in Bohemia: The life and death of Mollie Dean is Gideon Haigh’s engrossing account of the circumstances surrounding the unsolved 1930 murder in Elwood of primary school teacher, aspiring journalist, and bohemian, Mollie Dean. Less true crime journalism than an interrogation of the genre, Haigh’s ...

In August 2013, Robert Farquharson was denied special leave to appeal to the High Court against his conviction for the murder of his three young sons Jai, Tyler, and Bailey, aged ten, seven, and two. This was the final legal chapter in the lengthy story Helen Garner explores in This House of Grief.

Garner begins with the ‘Once’ that prefaces fairy tales – stories we think we know well enough to recite from memory; clear, oracular, and resonant: ‘Once there was a hard-working bloke who lived in a small Victorian country town with his wife and their three young sons.’ One day, ‘out of the blue, his wife told him that she was no longer in love with him’. Transformed by this into ‘the sad husband’, Farquharson packs a suitcase and leaves, saddled with the ‘shit car’ of the two owned by the couple.

Matthew Condon is fast becoming the George R.R. Martin of Australian true crime. Like the Game of Thrones author, Condon is part-way through the delivery of a saga of epic proportions. However, whereas some fantasy fiction fans doubt that Martin will ever conclude his A Song of Ice and Fire series, everyone knows how the story of corruption in Joh Bjelke-Petersen-era Queensland ends. But knowing the ending doesn’t lessen the shock of the telling. Jacks and Jokers, the second instalment of Condon’s trilogy (the conclusion, All Fall Down, is slated for release in 2015), sprawls and appals in equal measure.

Sometimes the simplest of mistakes reveals far more of our preconceptions about human acts and motives, and about the complex relationships that make a human society, than we could have imagined. Such was the case with what journalist and lawyer Julie Szego dubs the ‘tainted trial’ of Farah Jama, a young Somali man who spent eighteen months in prison for a rape that almost certainly never happened.

Jama, who was accused of raping a woman found unconscious in a locked toilet cubicle in a Melbourne suburban nightclub in 2006, is the most notable Australian victim of what has been called the ‘CSI effect’: an uncritical regard for scientific techniques in the collection and analysis of evidence in criminal cases. His conviction relied solely on DNA testing, and almost nothing to corroborate it was cited at his trial. The fact that no one in the nightclub on the night in question remembered seeing a tall black man on a dance floor thronged with white faces, and that the club’s closed-circuit television tapes showed no such person entering or leaving the premises, apparently did not bother the jury or the trial judge. Nor did the fact that the woman had not even a hazy memory of the ordeal she was believed to have suffered.

Reports about the Mossad often have the unfortunate trait of reading like a John le Carré novel. We hear of spies assuming false identities and injecting poison into the ears of Israel’s enemies, or of a Mossad director beginning his weekly meetings with the question, ‘Who are we going to assassinate today?’ Unfortunately, most of these stories are true. As well as enhancing the agency’s notoriety, the Mossad’s outlandish methods serve to distract from their less exciting but more consequential activities. They also obscure the more worrying truth about intelligence agencies: they are run by ordinary people, and ordinary people make mistakes.

A number of such mistakes are evident in the story of Ben Zygier, the Australian–Israeli man who recently died in an Israeli jail under mysterious circumstances. Zygier grew up in Melbourne, found Zionism, and moved to Israel to work for the Mossad. A few years into his career, however, he was arrested on unknown charges and secretly held in isolation in an Israeli prison, where he committed suicide on 15 December 2010.