The runner-up in this year’s Calibre Essay Prize, Sarah Gory’s essay ‘Ghosts, Ghosts Everywhere’ confronts spectres of the past in order to pose questions about how to live ethically in the present and about what responsibilities we bear towards the future. Drawing on a wide range of writers and thinkers as well as her grandfather’s experience of the Holocaust, Gory plots the process by which one generation’s traumatic suffering becomes another’s imaginative investment.

Based on Antonio Garcia Gutierrez’s El Trovador, a romantic melodrama set against the backdrop of a fifteenth-century Spanish civil war, Giuseppe Verdi’s Il Trovatore has been described as the ‘apotheosis of the bel canto opera, with its demands for vocal beauty, agility and range’. Yet in what is also his darkest and most death-haunted work, Verdi invests the brightness and vocal embellishments of bel canto with greater dramatic tension ...

Russia’s invasion of Ukraine in late February this year was met with near universal condemnation by Western nations. While aggression of this kind and on this scale has been relatively anomalous this side of the second world war, Russia’s disregard for the laws and institutions upholding global peace and security is far from unprecedented. In this week’s episode of The ABR Podcast, Ben Saul reads his commentary piece from the July issue, arguing that Western disrespect for international law is entirely consistent with Russia’s violation of ‘a stable, mutually agreed world order’ ...

A year before he ascended to the prime ministership of India in 1947, Jawaharlal Nehru proclaimed that his nation was ‘a cultural unity amidst diversity, a bundle of contradictions held together by strong but invisible threads’. Yet, in the seventy-five years since India’s independence, secularist tolerance of religious and cultural difference has been eroded by a rising tide of Hindu majoritarianism. In this week’s episode of The ABR Podcast, John Zubrzycki reads his commentary on India’s transformation under Narendra Modi’s leadership ...

Of the many pernicious legacies of colonialism, Australia’s servility in the face of Britain’s nuclear arms aspirations is one of the most under-reported and most consequential. In this week’s episode of The ABR Podcast, Elizabeth Tynan reads her essay tracing the clandestine history of, and fallout from, the agreements that allowed the British to test atomic weapons at various sites in South and Western Australia after World War II. By highlighting the Menzies government’s eager consent and the Australian media’s compliance, Tynan shows that far from being a passive victim, Australia was largely complicit in tests that wrought havoc on large tracts of land and on the Indigenous communities who lived there.

Ann-Marie Priest’s My Tongue Is My Own, published by La Trobe University Press and reviewed in our June issue, is the first authorised biography of the Australian poet Gwen Harwood (1920–1995). Unsurprisingly, this was not the first attempt to record the life of one of Australia’s most loved and admired poets. In an exclusive feature for ABR, John Harwood reflects on the conflicting motives behind his literary executorship of his mother’s estate – an estate holding the secrets to an at-times fractious marriage between two opposing temperaments.

The leaked draft judgment in the case of Dobbs v. Jackson Women’s Health Organization, in which US Supreme Court Justice Samuel Alito proposed overturning the precedent set by Roe v. Wade, has returned abortion rights to the headlines. In this week’s episode of The ABR Podcast, Linda Atkins reads her essay, ‘Shouting Abortion’, which sets women’s right to terminations within the broader context of intergenerational poverty and the class lines of the medical profession ...

Conceived during a holiday in the spa-town of Marienbad, Lohengrin stands at the crossroads of Richard Wagner’s operatic oeuvre: it was the last work composed before his political exile (as a result of his participation in the Dresden Uprising) while offering a glimpse of the leitmotivic technique that would become the signature of his late style.

The Writers on Writers series aims to tease some of Australia’s literary treasures out of the Aladdin’s cave of canonicity. A collaboration between publisher Black Inc., the University of Melbourne, and the State Library of Victoria, it began in 2017 with Alice Pung’s book on John Marsden and Erik Jensen’s on Kate Jennings. The series now boasts eleven titles, the most recent of which is Sean O’Beirne’s book on Helen Garner ...

When Scott Morrison called the federal election in early April, he did so on an apologetic note: ‘I get it that people are tired of politics.’ This was a predictable gesture from the prime minister: his term has been marked by a series of controversies that have raised many questions about his capacity to lead on some of the country’s most pressing issues, though relatively few about his skill in internal party politics.