Archive

This republication of Susan Magarey’s 1985 biography of Catherine Helen Spence commemorates the anniversary of her death, aged eighty-five, in April 1910. In an enlarged and attractive new paperback format, with a revised introduction, its cover sketch of Spence, with upraised hand, in mid-speech, emphasises the key subject, both actual and metaphorical, of women’s public speaking. Remarkable as a writer and as a political and social reformer, Spence’s status as one of Australia’s earliest female public intellectuals is best represented in her more immediately transgressive role as public speaker, a graphic unbridling of the female voice.

Herz Bergner arrived in Melbourne in 1938, having left Warsaw after Hitler’s rise to power. Already a published Yiddish short story writer, he joined a group of progressive Yiddish-speaking writers and thinkers who often gathered at the Kadimah Library in Carlton. As information about the Holocaust began to reach these shores, Bergner argued passionately for an increase in European immigration to Australia. He also began work on a novel in Yiddish about a boatload of Jewish refugees (and some others) adrift on the high seas, supposedly destined for Australia.

Jessica Rudd’s fiction début, Campaign Ruby, is witty and warm-hearted chick lit set against a convincingly painted and disconcertingly prescient political backdrop.

In his conclusion to this book, Kevin Brophy states a key principle of creative composition: ‘to be responsive to what happens, what is thrown into the mind, what one comes upon.’ This is at once a statement of advice for an artist at work, and a theoretical proposition. Through the course of the ten essays that make up the volume, Brophy develops a hypothesis about the kinds of brain function involved in creativity and, in particular, the role of consciousness in relation to other mental and sensory forms of intelligence. Without drawing the terms ‘theory’ and ‘practice’ into play – a great relief to those of us who have grown weary of that inevitable binary – he suggests that the work of an artist or writer may be facilitated by an exploratory interest in the operations of consciousness.

Making News is Tony Wilson’s second novel for adults. It is a romp over the fertile ground of tabloid media, celebrity sports stars and family crisis. Lucas Dekker is the bookish teenage son of Charlie Dekker, a high-profile Australian soccer star who has just retired from the English Premier League. Lucas’s mother, Monica, has graduated from footballer’s wife to bestselling self-help writer, comfortably eclipsing her husband’s earning power in the process. When Lucas wins a young writer’s prize to become a columnist for tabloid daily The Globe, it seems as though he might follow in his mother’s literary footsteps.

In August 1998 former ABC journalist Mary Delahunty won the by-election for the Victorian seat of Northcote. One year later, after Steve Bracks audaciously nabbed the premier’s crown from an unsuspecting Jeff Kennett, Delahunty found herself in charge of the education and arts portfolios. Her learning curve was steep. ‘If the chook shed was for parliamentary incubation then the dungeon provided sparse and smelly cells for the discipline of ministerial office,’ she writes in her new book, Public Life, Private Grief.

The two narrators in this intense novel are the same person at different ages: the child of eight years who struggles against sibling displacement; and his twenty-eight-year-old self, scarred by his early years and obsessively revisiting them. The narrative documents these two periods of emotional turmoil in the unnamed protagonist’s alternating monologues. This anonymity may signify a lack of a more integrated self, and will not be a problem for the reader. As reviewer, I will simply use personal pronouns when referring to him.

From a clutch of novels including the award-winning Camille’s Bread (1996), Amanda Lohrey has now turned to shorter literary forms, notably two Quarterly Essays (2002, 2006), a novella (Vertigo, 2008) and this new collection of short stories. At the 2009 Sydney Writers’ Festival she publicly confessed her new leaning, arguing the benefits of genres more easily completed by both writer and reader and less likely to produce guilt if cast aside unfinished.

This special issue of La Trobe Journal is guest edited by Lynette Russell from Monash University, and John Arnold, the Journal’s new general editor (since No. 82). Titled Indigenous Victorians: Repressed, Resourceful and Respected, it showcases new historical scholarship that draws on the State Library of Victoria’s unrivalled collections. Topics covered in the twelve essays are diverse: Aboriginal guides to the Victorian goldfields, fisheries in western Victoria, cricketers at Coranderrk, Lake Tyers Aboriginal settlement, the Victorian Aboriginal Advancement League, and government legislation relating to Aboriginal Victorians, among others.