Ian Dickson
In his introduction to the Folio Society edition of Twelfth Night, Peter Hall describes the play as a transitional work. Moving on from the light-heartedness of A Midsummer Night's Dream, in Twelfth Night Shakespeare mixes grief and cruelty in with the comedy. We are advancing towards ...
... (read more)
Arthur Miller's reputation as the writer of glum naturalistic problem dramas is undergoing a re-evaluation at present. The fashionable director Ivo van Hove's ecstatically reviewed and Tony Award-winning production of A View from the Brid ...
At any time, Washington, DC would be an apposite place in which to stage Wagner's vast cautionary saga about the devastating effects of greed and lust for power on the human and natural world, but it is excruciatingly so at this moment. On Pennsylvania Avenue, roughly halfway between the ...
... (read more)
As with London buses, one waits for ages for a film based on the life of that vocal phenomenon Florence Foster Jenkins (1868–1944), and then two arrive simultaneously. Add to the mix Maggie Smith's Miss Shepherd in The Lady in the Van and it seems to be open season on eccentric ladies of ...
... (read more)
Gentles, perchance you'll wonder at this show
That comes to us with fanfare from abroad.
Mike Bartlett's many earlier plays, like ...
In this era of the jukebox musical, it is not surprising that the seventeenth- and eighteenth-century equivalent, the pasticcio opera, should be undergoing a revival. A couple of seasons ago, New York's Metropolitan Opera created a version, The Enchanted Island, which received a mainly ...
... (read more)
The reappraisal of Australian plays from that great explosion of theatrical creativity in the 1970s and 1980s which has been in train for the last few years continues with the Sydney Theatre Company's production of Louis Nowra's mighty The Golden Age. The play was first performed in 1985 ...
... (read more)Virginia Woolf's early impression of the aristocratic, free-loving woman of letters Vita Sackville-West was not exactly complimentary: 'Not much to my severer taste – florid, moustached, parakeet coloured, with all the supple ease of the aristocracy, but not the wit of the artist.' Her opinion soon changed, however, and she found herself falling in love with the p ...