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The Secret World of Annette Robinson by Paulette Gittins & Percussion by Jay Verney

by
June-July 2004, no. 262

Jay Verney’s voice is not unlike Gillian Mears’s – rich, confident and brimming with adroit asides. Verney frequently stops to smell the roses, and dig around the compost. She observes the variations of a landscape, the behaviour of her characters, the nature of an institution. Here she is on a McDonald’s restaurant in Palm Springs: ‘It was America in metaphor, though without the crazed gunman to add that final touch of piquant authenticity.’

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The true believers, proud of their history and with hope for the future, assembled in Melbourne on 27 April 2004 to celebrate the first time the Labor Party formed a federal ministry a century before – and, of course, to attend the launch of the obligatory book commemorating the event, So Monstrous a Travesty.

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Proof & Truth: The humanist as expert edited by Iain McCalman and Ann McGrath

by
June-July 2004, no. 262

In his opening essay in this book, Hal Wootten, former judge and law dean, asserts that lawyers and historians are ‘natural allies’. It is certainly true that the common law system builds on reports of the resolution of cases decided long ago and far away. In that sense, legal history lies at the heart of the technique of Australia’s legal system.

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On the face of it, this book represents a strange project: to elaborate for the reader’s consideration the moral beliefs of a man whom the author judges (and judged in advance, one suspects) to be shallow, inconsistent, lacking moral and intellectual sobriety, and to have failed so often to act on the moral principles he repeatedly professes that he can fairly be accused of hypocrisy ... 

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It's as though the Continental Shelf
with its east-facing rifts and cliffs
were visible; as though the full-bodied waves
that blow over it, freighted with kelp,
tidewood, and the bloated bodies
of dead seals were thermals,
sideways tracking and printed with spirals
that mark a slow convergence
of warm and nutrient-rich, cold water. ... (read more)

Made ghosts in all their country’s wars
they come, the young men in my dreams
with shattered skulls, intestines trailing
in the sand, the mud, the stuff the TV doesn’t
show unless it’s Africa. Or someplace else where
colour doesn’t count, democracy a word
they carted like a talisman, a passport
to the candles, bells of sainthood.

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Roadkill shock rocks the pink and grey’s
galah world, this is not wordplay, or deathpuns,
until the sun goes down, shocker, blood-letter,
hit and run make-over, splatterfest and gore show,
a ‘laugh-a minute’ partner wandering about in a daze, ... (read more)


Straight roads, built for driving fast.
You get out of winter in a day.
These paddocks so like thoughts you travel past,
strung out beside your asphalt purpose.

You get out of winter in a day.
Cattle fat as history watch you pass,
strung out and beside your asphalt purpose
in these vast effects of corroded light.

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How do you bury a poet?

Surely not
how they buried Baudelaire
thrown in with his parents
like an infant death.

It stretches
to a ghastly irony
Pasternak’s remark
that poets should remain
children.

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It’s good that Nicholas Hope has written this amusing, light-footed entertainment. Should he give up his day job as an unemployed actor, in Brushing the Tip of Fame (his first book) he has a highly readable example of his scribbling to convince editors that he could go far as a journalist, whether as a travel writer, celebrity profiler or feature writer ...